Strange Stories of the Great Valley: The Adventures of a Boy PioneerGrosvenor, Abbie Johnston
General
Strange Stories of the Great Valley: The Adventures of a Boy Pioneer
Grosvenor, Abbie Johnston
Frontier and pioneer life -- Ohio River Valley -- Juvenile fiction
Some of the Virginians had known Henry Clay when, as the barefooted
"mill boy" of the "Slashes"--a newly cleared region--he had ridden back
and forth in the Old Dominion with grist for his widowed mother, and
they now rejoiced in his self-made prosperity. Several of the scouts
had worked with him in political changes and they were proud of his
positions of trust. Many of the preachers of the "Society of Friends,"
as the Quakers called themselves, had discussed with the great leader
the evils and injustice of slavery; no one knew better than they how
hard Henry Clay worked to influence the laws which were intended to
help the blacks' condition and which tended toward final emancipation
for them.
In the evening, by torch-light on the lawn, darkies played the banjo
and danced and sang for the company.
Not one of them equaled the lyric tenor of the wagon-train, so Doby
wandered away from the lawn and in curiosity strolled out through the
quarters where the slaves lived. All the little whitewashed houses were
deserted, for the servants were allowed to look on at all festivities
and "minstrel shows." He was turning back when from one of the cabins
there came a tiny sound.
Again he heard that never-to-be-forgotten chime of distant silver
bells, that low gurgle of exquisite music. He would have known that
voice any place. How did the Virginia slave happen to be here and not
with the wagons? Why should that note of sadness creep into his sigh?
Why was he weeping?
His sobbing rose, so touched with grief, so poignant with despair,
that Doby's heart-strings tightened. He could hardly bear to hear it.
Then some motherly creature began to croon, "Da, chil' honey, poo'
chil' honey, don' you cry--"
The lyric tenor wailed in broken syllables: "My daddy--he whipped--he
die--my mammy--she whipped--she run away. I want my mammy--"
"Da, chil' honey, poo' chil' honey, don' you cry--"
"I want my mammy--I don' want ole Virginny--I don' want this yere--I
want my mammy--" The chant was torn with sorrow.
Then came the comforting, "Don' cry, honey," over and over again.
Poor Doby, listening in distressed sympathy, could not in the least
make out this black thief of the rabbit foot, whose lilting laughter
had turned to such bitter tears.
The boy who had heard both, stole away to hide in one of the wagons and
to cry himself to sleep over a trouble he could not understand.
He was ashamed to worry his father or Simon Kenton with further
questions about the slaves, who left them next day when the Virginians
stopped at their prospective settlement north of Lexington.
With the picturesque and merry blacks went much of the zest of life in
the wagon-train, and Doby was glad when the Ohio River came in sight
and the journey was at an end.
Public-domain text, read in full here on John Shaqi.
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