The plays which are enacted are generally composed by persons in the spiritual condition. We have many good farces; and an unending source of material for amusing plays is found in the relationship between the spirit world and earth, and the eccentric conditions growing out of that relationship. For instance, there is a laughable comedy being enacted at my theatre, depicting the adventures of a pious merchant, who, after the toils and cares of life, becomes a resident of the spirit world. The graces and beauties of the angelic women whom he meets on every side enamour him; he forgets his past life, forgets the wife who has ruled him on earth, and in a moment of ecstasy chooses another mate. While in the enjoyment of his bliss, and surrounded by bands of immortals, the news runs through the electric wire that his earth-wife is deceased, and has come in search of him. The consternation and fear of the poor man furnishes ample occasion for amusement, hilarity, and fellow-sympathy. Our tragedies are cast in a higher mould; many of them are more sublime than those of earth, representing the catastrophes of worlds. We also have dramas which awaken the affections, representing the condition of those from earth who are neglected, or who, in consequence of a long career of vice and misery, cannot be approached by friends. These brief hints will give a slight idea of the source and character of our dramatic representations. Some men are born actors, as others are born painters, poets or preachers; and in the spirit world they can no more lay aside those powers which have become a part of them, than they can lay aside the gifts of observation or reflection. Understanding this fact, it will not surprise you to learn that those most famous in the histrionic art exercise their talents to listening thousands in the spirit world. Garrick, Kemble, Kean, Booth, Cooke, also Rachel, Mrs. Siddons, and a host of illustrious actors of different nations, are now “treading the boards” of spiritual theatres. Their time, however, is not exclusively devoted to the exercise of these gifts, as on earth. A considerable portion is spent in the study of the arts and sciences; and many a noted actor becomes an able painter or musician, and many a low comedian a philosopher. Our life is one round of pleasant progression. What I have said about our attractive theatre and my enjoyable condition, I hope will not induce any of you, my fellow-players, to emigrate to these shores before you are sent for; but, like good Jack Falstaff, I trust you will live in your own world as long as you can, and when Dame Nature is done with you, we will give you a hearty welcome and _a free pass to the dress circle_. CHARLES L. ELLIOTT. _PAINTING IN SPIRIT LIFE_. My friends know that I was not much given to writing or speaking, and I reluctantly answer the call that has been made for me to give my views on art in the spirit existence.