Straws and prayer-books; dizain des diversions — John Shaqi
Straws and prayer-books; dizain des diversionsCabell, James Branch
Philosophy
Straws and prayer-books; dizain des diversions
Cabell, James Branch
Authorship
The tale, thus, seems a fantastic and gracious pageant, saddened
somehow by the known evanescence of its beauty, regarded through
three opalescent veils: or, rather, all that happens--just as we upon
reflection prefer to have had it happen,--in the Chinese jasmine
garden by the Lake of Cranes, is viewed through a rose-tinted gauze
of mediæval fancies seen through thin aureate Celtic mists observed
through the unhued but glazing window-panes of a Westchester, N.Y.,
drawing-room. I am by no means sure this curious tour de force was
worth performing; but I am unshakably convinced that Mr. Byrne "brings
it off" to a nicety.
Well, such was the romance which appeared some years ago without much
heralding, and which, when I first read it, had existed as a book for a
month or two without attracting any particular attention. And, reading,
I wondered. For this tale, in itself delightful--for a reason to which
I shall recur,--seemed to me to be told in words so "warm and colored,"
and so adroitly marshalled as to drive any honest-minded reader to the
confessional. I confessed, then, to being uncritically seduced by the
fact that Mr. Byrne, without apparent effort or shame, wrote perfectly
of beautiful happenings and seemed no whit afraid of elaborated
diction. I confessed to thinking that many of the episodes, perhaps
most notably the efforts of Marco Polo to convert to Christianity the
pagan girl who while he talks is merely conscious of the fact that she
loves the talker, have a queer and heart-wringing loveliness that is
well-nigh intolerable. And I confessed to finding the brief chapter
which bridges seventeen years, and winds up the story to "the true
rhythm of life," a small masterpiece of art and wisdom.
Above all, I now confess this is the only contemporary book that ever
I actually sought the privilege of reviewing. And when this task was
entrusted to me, by The Nation, I indited every word of _Messer Marco
Polo's_ encomium with a teasing faint suspicion that I was almost
certainly writing high-pitched nonsense which I would some day re-read
with embarrassment.
At all events, while the first rapture lasts, said I, let me profess
that I most cordially admire this story, and seem to find no praise too
exquisite. You, I advised potential readers, may derive from it a more
temperate pleasure, you may not even enjoy what my more sophisticated
juniors, I confess, are deprecating as "this pseudo-Celtic stuff":
and, in fact, the tale can hardly appeal to any considerable audience,
just now, since it "exposes" and "arraigns" nothing whatever. With
that I had no concern. It was merely my affair to tell everybody who
would listen that, to my finding, _Messer Marco Polo_ was a very
magically beautiful book.
§ 19
Public-domain text, read in full here on John Shaqi.
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