Boston (Mass.) -- Fiction; Interpersonal relations -- Fiction
She walked over to Beacon Street and down the row of houses that faces
the Public Garden, looking now and then into front windows massed with
ferns and autumn flowers. On small wellcleaned windowpanes a reflection
of sky and clouds, shadows of sombredressed people passing, fleeting
glint of limousines, then, beside a bunch of yellow curlypetalled
chrysanthemums the face of Aunt M. Nan thought how ashy and wrinkled it
looked beside the yellow flowers. The face smiled and bobbed showing a
straight part and hair steelgrey slicked against the head on either
side. Nan pulled at the shining brass knob of the bell. Immediately the
door opened.
"Yer late, Miss Nancibel; the missus was agettin' anxious an' alookin'
outa the winder," said the old woman in flounced cap and apron metallic
with starch who let her in.
"I'm not so awfully late, am I, Mary Ann?"
Pulling off her gloves, Nan brushed through portieres of salmoncolored
brocade into the parlor.
"O, my dear Nancibel, how glad I am to see you," said Aunt M. throwing
stubby arms round her niece's neck. Nan's lips touched the wrinkled
lifeless skin.
"I'm sorry to be late, Auntie."
"Well, one can't expect a budding virtuoso.... I suppose one should say
virtuosa ... to be very punctual. And punctuality is fallen into
disrepute among young people nowadays.... Now run up and take your
things off like a good girl and come back quickly and talk to me so that
we can have a good chat before the Turnstables come."
"Are they coming Auntie?"
"Yes, Cousin Jane Turnstable and her boy and girl are coming to dinner
at half after one. It's quite thrilling to have so many young people in
the house."
Running up the thickcarpeted stairs, Nan caught herself remembering
running up those same stairs when she was still in short skirts, a
Scotch plaid it was, accordionpleated, that day, and Mary Ann was
polishing the brass rails that kept the carpet down, and her Aunt M., a
tall omnipotent person then, had told her not to sing, O my darling
Clementine, because it was a low vulgar song and somehow she hadn't been
able to keep it in and had shouted out without meaning to:
Herring boxes without topses,
Sandals were for Clementine.
And Aunt M. had come out on the landing suddenly very cold and
sharptoned and had made her stay in her room all afternoon and learn The
Slave's Dream. As Nan went into the little room with Dutch blue
wallpaper, which Aunt M. always called Nancibel's room, to throw her hat
on the bed and give a hasty pat to her hair in front of the mirror,
Beside the ungathered rice he lay
His sickle in his hand,
bubbled up from somewhere deep in her mind. She smiled thinking how as
the years had passed her relation to Aunt M. had changed, until now it
was she who seemed the tall omnipotent person, skilled in all the world
outside the house, and her aunt the timid one the housewalls protected
from the shaggy world.
Public-domain text, read in full here on John Shaqi.
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