Boston (Mass.) -- Fiction; Interpersonal relations -- Fiction
"Of course not, you little fool.... Please go away, it's my time to
practice. I don't love anyone that way."
Her eyes were dilated and burning. The kimono had fallen from one
shoulder and showed the beginning of the curve of a breast. Her long
fingers dug into the flesh of his shoulder. His back was against the
door.
"O this is fearful, Nan."
The hat in his hand, red gleam of varnish on the door closing behind
him. Then stairs again, numbered doors, milk bottles, newspapers. He
brushed against the elevator man, whose eyes rolled white in a black
face, and through the glass door where climbed the letters of Swansea in
reverse, and out into the grey street. As he crossed a truck nearly hit
him. A man with a grease smudge on an unshaven cheek under a shiny
visored cap leaned out snarling: "Wanter git kilt ye sonofabitch?"
Sure I want to git kilt, sure I want to git kilt.
... Wenny picked his way very carefully across a snowpile and sat
hunched on a bench under a skinny tree. Anything to forget Nan, her
ringing voice saying: Of course not, you little fool, the warm curve of
her breast, the down in the hollow of her back under the green crepe. He
beat against his forehead with his fists. O he'd go mad if he didn't
stop thinking of her. Anything to stop thinking of her. Death to stop
thinking of her, death a motortruck hurtling down the frozen street and
a voice shrieking: Wanter git kilt ye sonofabitch, and hard blackness,
eternal. To crawl into bed and draw the covers up to your chin and
sleep. That's what it would be like to git kilt. No more agony of hands
to touch, lips to kiss, so downy and warm it would be asleep in a bed of
blackness.
The back of the bench was hard against the nape of his neck. He was
shivering. He got to his feet. The sky had become overcast with
dovecolored mackerel clouds that cast a violet gloom over the apartment
houses and the etched trees and the rutted yellow slush of the street.
Wenny tugged at his watchfob. The familiar round face, slender Roman
numbers. God, only half past nine? How many hours ahead. He walked on
numbly.
* * * *
"Some cold, aint it?" came a voice beside him. "Aint no time for keepin'
the benches warm." Wenny turned his head. Beside him on the bench was a
fellow without an overcoat of about his own age, a compact, snubnosed
face with lips blue and a little trembling from the cold. It was
afternoon; he was sitting on the Common.
"Of course it's cold," said Wenny testily. He was staring straight
before him through the trees at the dark shapes of people and
automobiles passing in front of the shopwindows, gay and glinting along
Tremont Street. Like that his thoughts passed and repassed, miserable
silhouettes against the shine and color of his memories. It hurt him to
leave the mood of processional sadness he had slipped into at the end of
dumb hours of walking. After a long silence the man at the other end of
the bench continued in the same confidential tone.
Public-domain text, read in full here on John Shaqi.
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