"That's easy to say," Klythe grumbled, "but you know how things can go
at the last minute. I'm worried about those tensile differences."
Crayley stroked his mustache and nodded. The material used in
the interior of the model was supposed to approximate the highly
radioactive material in the real thing as closely as possible, but
there might be just enough difference in critical spots to require some
small adjustments in the tape. If a man's hand applied just enough
pressure and torque to twist a piece of copper wire just so, it might
be too much or too little for a radioactive alloy wire that would be
used in the same place in the production piece.
After the suppressor field had been switched on in the hull of the
finished generator, the energy generated by the workings of the
intensely radioactive interior would be compressed to the sub-nucleonic
level, where it could be controlled. Unfortunately, the machine
couldn't be built inside a suppressor field; that would be like trying
to build a ship in a bottle when the bottle's neck was sealed shut.
Crayley said, "I've got a lot of stuff to do on Line Number Two this
morning, but I'd like to see the run-off."
"Sure," said Klythe abstractedly, "come ahead."
Crayley didn't go to Number Two. He headed directly for the recording
room. All he needed was ten minutes alone in there. Provided, of
course, that it was empty.
* * * * *
It was. Crayley took a quick look up and down the corridor and stepped
inside. He locked the door behind him. If anyone tried to come in, he'd
be able to cover. It was better to have someone wonder why the door was
locked than to be caught messing with the tapes when he shouldn't be.
Of course, if someone did try the door, it would mean that his chance
of getting Klythe this time would be gone. But there would always be
another time.
First, the tape. He flipped open the cover to the receiving reel. Sure
enough, it was still there from yesterday's trial run, a huge reel of
foot-wide blue plastic ribbon. Good enough.
He punched the "fast" button and ran it through to the last few minutes
of the recording. He glanced at the monitor screen. The model was still
on the assembly table in the tunnel deep underground.
He cut off the current to the secondaries and switched on the manual
controls. Then he put his hands into one set of gloves and wiggled his
fingers. The secondaries in the room below remained motionless.
Number Nineteen Experimental ought to be empty. He withdrew his hand
and turned the selector knob on the monitor screen to Nineteen. No one
there. He switched on the power, letting the last few minutes of the
taped recording feed into the secondaries in Nineteen.
The waldoes in the screen went through the motions of finishing the
assembly--meaningless gestures in the empty air--then fell into the
"ready" position. Crayley hit the stop button, then switched back to
the tunnel where the model lay.
Public-domain text, read in full here on John Shaqi.
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