Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
They live, as he said, beside everything, but see nothing and study
nothing; they are near science, of which they are ignorant; nature, at
which they do not know how to look; outside of true happiness, for they
are powerless to enjoy it; outside of the beauty of the world and the
beauty of art, of which they chatter without having really discovered
it, or even believing in it, for they are ignorant of the intoxication
of tasting the joys of life and of intelligence. They are incapable
of attaching themselves in anything to that degree that existence is
illumined by the happiness of comprehending it.
The Baron de Corbelle thought that it was his duty to come to the
defense of society. This he did with inconsistent and irrefutable
arguments, which melt before reason as snow before the fire, yet which
cannot be disproved--the absurd and triumphant arguments of a country
curate who would demonstrate the existence of God. In concluding, he
compared fashionable people to race-horses, which, in truth, are good
for nothing, but which are the glory of the equine race.
Bertin, irritated by this adversary, preserved a politely disdainful
silence. But suddenly the Baron's imbecilities exasperated him, and,
interrupting him adroitly, he recounted the life of a man of fashion
from his rising to his going to rest, without omitting anything. All the
details, cleverly described, made up an irresistibly amusing silhouette.
Once could see the fine gentleman dressed by his valet, first expressing
a few general ideas to the hairdresser that came to shave him; then,
when taking his morning stroll, inquiring of the grooms about the health
of the horses; then trotting through the avenues of the Bois, caring
only about saluting and being saluted; then breakfasting opposite his
wife, who in her turn had been out in her coupe, speaking to her only to
enumerate the names of the persons he had met that morning; then
passing from drawing-room to drawing-room until evening, refreshing his
intelligence by contact with others of his circle, dining with a prince,
where the affairs of Europe were discussed, and finishing the evening
behind the scenes at the Opera, where his timid pretensions at being a
gay dog were innocently satisfied by the appearance of being surrounded
by naughtiness.
The picture was so true, although its satire wounded no one present,
that laughter ran around the table.
The Duchess, shaken by the suppressed merriment of fat persons, relieved
herself by discreet chuckles.
“Really, you are too funny!” she said at last; “you will make me die of
laughter.”
Bertin replied, with some excitement:
Public-domain text, read in full here on John Shaqi.
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