Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
“You haven't heard, have you, of the great scandal that is running all
over town this evening?” inquired the Count pleasantly.
As no one answered, he continued: “It seems that Rocdiane surprised
his wife in a criminal situation, and has made her pay dearly for her
indiscretion.”
Then Bertin, with his melancholy air, with grief in voice and gesture,
placing one hand on Guilleroy's shoulder, repeated in a gentle and
amicable manner all that he had just said so roughly to Musadieu.
The Count, half convinced, annoyed to have allowed himself to repeat
so lightly a doubtful and possibly compromising thing, pleaded his
ignorance and his innocence. The gossips said so many false and wicked
things!
Suddenly, all agreed upon this statement: the world certainly accused,
suspected, and calumniated with deplorable facility! All four appeared
to be convinced, during the next five minutes, that all the whispered
scandals were lies; that the women did not have the lovers ascribed to
them; that the men never committed the sins they were accused of; and,
in short, that the outward appearance of things was usually much worse
than the real situation.
Bertin, who no longer felt vexed with Musadieu since De Guilleroy's
arrival, was now very pleasant to him, led him to talk on his favorite
subjects, and opened the sluices of his eloquence. The Count wore the
contented air of a man who carries everywhere with him an atmosphere of
peace and cordiality.
Two servants noiselessly entered the drawing-room, bearing the
tea-table, on which the boiling water steamed in a pretty, shining
kettle over the blue flame of an alcohol lamp.
The Countess rose, prepared the hot beverage with the care and
precaution we have learned from the Russians, then offered a cup to
Musadieu, another to Bertin, following this with plates containing
sandwiches of _pate de foies gras_ and little English and Austrian
cakes.
The Count approached the portable table, where was also an assortment of
syrups, liqueurs, and glasses; he mixed himself a drink, then discreetly
disappeared into the next room.
Bertin found himself again facing Musadieu, and felt once more the
sudden desire to thrust outside this bore, who, now put on his mettle,
talked at great length, told stories, repeated jests, and made some
himself. The painter glanced continually at the clock, the hands of
which approached midnight. The Countess noticed his glances, understood
that he wished to speak to her alone, and, with that ability of a clever
woman of the world to change by indescribable shades of tone the whole
atmosphere of a drawing-room, to make it understood, without saying
anything, whether one is to remain or to go, she diffused about her,
by her attitude alone, by the bored expression of her face and eyes, a
chill as if she had just opened a window.
Musadieu felt this chilly current freezing his flow of ideas; and,
without asking himself the reason, he felt a sudden desire to rise and
depart.
Public-domain text, read in full here on John Shaqi.
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