Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
“Half after twelve.”
“Oh, let us hasten to luncheon then. The Duchess must be waiting for us
at Ledoyen's, where she charged me to bring you, in case we should not
meet her in the galleries.”
The restaurant, in the midst of a little island of trees and shrubs,
seemed like an overflowing hive. A confused hum of voices, calls, the
rattling of plates and glasses came from the open windows and large
doors. The tables, set close together and filled with people eating,
extended in long rows right and left of a narrow passage, up and down
which ran the distracted waiters, holding along their arms dishes filled
with meats, fish, or fruit.
Under the circular gallery there was such a throng of men and women as
to suggest a living pate. Everyone there laughed, called out, drank and
ate, enlivened by the wines and inundated by one of those waves of joy
that sweep over Paris, on certain days, with the sunshine.
An attendant showed the Countess, Annette, and Bertin upstairs into
a reserved room, where the Duchess awaited them. As they entered, the
painter observed, beside his aunt, the Marquis de Farandal, attentive
and smiling, and extending his hand to receive the parasols and wraps of
the Countess and her daughter. He felt again so much displeasure that he
suddenly desired to say rude and irritating things.
The Duchess explained the meeting of her nephew and the departure of
Musadieu, who had been carried off by the Minister of the Fine Arts, and
Bertin, at the thought that this insipidly good-looking Marquis might
marry Annette, that he had come there only to see her, and that he
regarded her already as destined to share his bed, unnerved and revolted
him, as if some one had ignored his own rights--sacred and mysterious
rights.
As soon as they were at table, the Marquis, who sat beside the young
girl, occupied himself in talking to her with the devoted air of a man
authorized to pay his addresses.
He assumed a curious manner, which seemed to the painter bold and
searching; his smiles were satisfied and almost tender, his gallantry
was familiar and officious. In manner and word appeared already
something of decision, as if he were about to announce that he had won
the prize.
The Duchess and the Countess seemed to protect and approve this attitude
of a pretender, and exchanged glances of complicity.
As soon as the luncheon was finished the party returned to the
Exposition. There was such a dense crowd in the galleries, it seemed
impossible to penetrate it. An odor of perspiring humanity, a stale
smell of old gowns and coats, made an atmosphere at once heavy and
sickening. No one looked at the pictures any more, but at faces and
toilets, seeking out well-known persons; and at times came a great
jostling of the crowd as it was forced to give way before the high
double ladder of the varnishers, who cried: “Make way, Messieurs! Make
way, Mesdames!”
Public-domain text, read in full here on John Shaqi.
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