Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
As on the preceding evening, he was walking between them, held captive
between their shoulders, and in order to see their eyes, of a similar
blue dotted with tiny black spots, raised to his, he spoke to them in
turn, moving his head first toward the one, then toward the other. As
the bright sunlight now shone on them, he did not so fully confound the
Countess with Annette, but he did more and more associate the daughter
with the new-born remembrances of what the mother had been. He had a
strong desire to embrace both, the one to find again upon cheek and neck
a little of that pink and white freshness which he had already tasted,
and which he saw now reproduced as by a miracle; the other because he
loved her as he always had, and felt that from her came the powerful
appeal of long habit. He even realized at that moment that his desire
and affection for her, which for some time had been waning, had revived
at the sight of her resuscitated youth.
Annette went away again to gather more flowers. This time Olivier
did not call her back; it was as if the contact of her arm and the
satisfaction of knowing that he had given her pleasure had quieted him;
but he followed all her movements with the pleasure one feels in seeing
the persons or things that captivate and intoxicate our eyes. When
she returned, with a large cluster of flowers, he drew a deep breath,
seeking unconsciously to inhale something of her, a little of her breath
or the warmth of her skin in the air stirred by her running. He looked
at her, enraptured, as one watches the dawn, or listens to music, with
thrills of delight when she bent, rose again, or raised her arms to
arrange her hair. And then, more and more, hour by hour, she evoked in
him the memory of the past! Her laughter, her pretty ways, her motions,
brought back to his lips the savor of former kisses given and returned;
she made of the far-off past, of which he had forgotten the precise
sensation, something like a dream in the present; she confused epochs,
dates, the ages of his heart, and rekindling the embers of cooled
emotions, she mingled, without his realizing it, yesterday with
to-morrow, recollection with hope.
He asked himself as he questioned his memory whether the Countess in
her brightest bloom had had that fawn-like, supple grace, that bold,
capricious, irresistible charm, like the grace of a running, leaping
animal. No. She had had a riper bloom but was less untamed. First, a
child of the city, then a woman, never having imbibed the air of the
fields and lived in the grass, she had grown pretty under the shade of
the walls and not in the sunlight of heaven.
Public-domain text, read in full here on John Shaqi.
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