Jealousy -- Fiction; Man-woman relationships -- Fiction; Painters -- France -- Fiction; Paris (France) -- Fiction
When they reentered the castle the Countess began to write letters at
her little low table in the bay-window; Annette went up to her own room,
and the painter went out again to walk slowly, cigar in mouth, hands
clasped behind him, through the winding paths of the park. But he did
not go away so far that he lost sight of the white facade or the pointed
roof of the castle. As soon as it disappeared behind groups of trees or
clusters of shrubbery, a shadow seemed to fall over his heart, as when a
cloud hides the sun; and when it reappeared through the apertures in
the foliage he paused a few seconds to contemplate the two rows of
tall windows. Then he resumed his walk. He felt agitated, but content.
Content with what? With everything.
The air seemed pure to him, life was good that day. His body felt once
more the liveliness of a small boy, a desire to run, to catch the yellow
butterflies fluttering over the lawn, as if they were suspended at the
end of elastic threads. He sang little airs from the opera. Several
times he repeated the celebrated phrase by Gounod: “_Laisse-moi
contempler ton visage_,” discovering in it a profoundly tender
expression which never before he had felt in the same way.
Suddenly he asked himself how it was that he had so soon become
different from his usual self. Yesterday, in Paris, dissatisfied
with everything, disgusted, irritated; to-day calm, satisfied with
everything--one would say that some benevolent god had changed his soul.
“That same kind god,” he thought, “might well have changed my body
at the same time, and rejuvenated me a little.” Suddenly he saw Julio
hunting among the bushes. He called him, and when the dog ran up to put
his finely formed head, with its curly ears, under his hand, he sat down
on the grass to pet him more comfortably, spoke gentle words to him,
laid him on his knees, and growing tender as he caressed the animal, he
kissed it, after the fashion of women whose hearts are easily moved to
demonstration.
After dinner, instead of going out as on the evening before, they spent
the hours in the drawing-room.
Suddenly the Countess said: “We must leave here soon.”
“Oh, don't speak of that yet!” Olivier exclaimed. “You would not leave
Roncieres when I was not here; now what I have come, you think only of
going away.”
“But, my dear friend,” said she, “we three cannot remain here
indefinitely.”
“It does not necessarily follow that we need stay indefinitely, but just
a few days. How many times have I stayed at your house for whole weeks?”
“Yes, but in different circumstances, when the house was open to
everyone.”
“Oh, mamma,” said Annette, coaxingly, “let us stay a few days more, just
two or three. He teaches me so well how to play tennis. It annoys me to
lose, but afterward I am glad to have made such progress.”
Public-domain text, read in full here on John Shaqi.
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