I tell the stories as I saw them occur. I tell them for your
entertainment; the truth they taught me you may do what you please with.
It was exemplified in some of these men and women by their failure to
incarnate it. Others, through the stained glass of their imperfect
humanity, showed it forth alive and alight in their own souls and bodies.
One there was who never dreamed he was a bright example of anything, in a
world which, you shall find him saying, God--or somebody--whoever is
responsible for civilization--had made only too good and complex and big
for him. We may hold that to make life a perfect, triumphant poem we must
keep in beautiful, untyrannous subordination every impulse of mere self-
provision, whether earthly or heavenly, while at the same time we give
life its equatorial circumference. I know that he so believed. Yet, under
no better conscious motive than an impulse of pure self-preservation,
finding his spiritual breadth and stature too small for half the practical
demands of such large theories, he humbly set to work to narrow down the
circumference of his life to limits within which he might hope to turn
_some_ of its daily issues into good poetry. This is the main reason why I
tell of him first, and why the parts of my story--or the stories--do not
fall into chronological order. I break that order with impunity, and adopt
that which I believe to be best in the interest of Poetry and themselves.
Only do not think hard if I get more interested in the story, or stories,
than in the interpretation thereof.
II
The man of whom I am speaking was a tallish, slim young fellow, shaped
well enough, though a trifle limp for a Louisianian in the Mississippi
(Confederate) cavalry. Some camp wag had fastened on him the nickname of
"Crackedfiddle." Our acquaintance began more than a year before Lee's
surrender; but Gregory came out of the war without any startling record,
and the main thing I tell of him occurred some years later.
I never saw him under arms or in uniform. I met him first at the house of
a planter, where I was making the most of a flesh-wound, and was, myself,
in uniform simply because I hadn't any other clothes. There were pretty
girls in the house, and as his friends and fellow-visitors--except me--
wore the gilt bars of commissioned rank on their gray collars, and he, as
a private, had done nothing glorious, his appearance was always in
civilian's dress. Black he wore, from head to foot, in the cut fashionable
in New Orleans when the war brought fashion to a stand: coat-waist high,
skirt solemnly long; sleeves and trousers small at the hands and feet, and
puffed out--phew! in the middle. The whole scheme was dandyish, dashing,
zou-zou; and when he appeared in it, dark, good-looking, loose,
languorous, slow to smile and slower to speak, it was--confusing.
Public-domain text, read in full here on John Shaqi.
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