Struggles and Triumphs: or, Forty Years' Recollections of P. T. BarnumBarnum, P. T. (Phineas Taylor)
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Struggles and Triumphs: or, Forty Years' Recollections of P. T. Barnum
Barnum, P. T. (Phineas Taylor)
Barnum, P. T. (Phineas Taylor), 1810-1891; Circus owners -- United States -- Biography
I kept up this performance for several weeks, till I quite killed
Peale’s “genuine” mesmerism in the rival establishment. After Peale,
“Yankee” Hill undertook the management of that Museum, but in a little
while he failed. It was then let to Henry Bennett, who reduced the
entrance price to one shilling,--a half price which led me to
characterize his concern as “cheap and nasty,”--and he began a serious
rivalry with my Museum. His main reliances were burlesques and
caricatures of whatever novelties I was exhibiting; thus, when I
advertised an able company of vocalists, well-known as the Orphean
Family, Bennett announced the “Orphan Family;” my Fejee Mermaid he
offset with a figure made of a monkey and codfish joined together and
called the “Fudg-ee Mermaid.” These things created some laughter at my
expense, but they also served to advertise my Museum.
When the novelty of this opposition died away, Bennett did a decidedly
losing business. I used to send a man with a shilling to his place every
night and I knew exactly how much he was doing and what were his
receipts. The holidays were coming and might tide him over a day or two,
but he was at the very bottom and I said to him, one day:
“Bennett, if you can keep open one week after New Year’s I will give you
a hundred dollars.”
He made every effort to win the money, and even went to the landlord and
offered him the entire receipts for a week if he would only let him stay
there; but he would not do it, and the day after New Year’s, January 2,
1843, Bennett shut up shop, having lost his last dollar and even failing
to secure the handsome premium I offered him.
The entire collection fell into the hands of the landlord for arrearages
of rent, and I privately purchased it for $7,000 cash, hired the
building, and secretly engaged Bennett as my agent. We ran a very
spirited opposition for a long time and abused each other terribly in
public. It was very amusing when actors and performers failed to make
terms with one of us and went to the other, carrying from one to the
other the price each was willing to pay for an engagement. We thus used
to hear extraordinary stories about each other’s “liberal terms,” but
between the two we managed to secure such persons as we wanted at about
the rates at which their services were really worth. While these people
were thus running from one manager to the other, supposing we were
rivals, Bennett said to me one day:
“You and I are like a pair of shears; we seem to cut each other, but we
only cut what comes between.”
Public-domain text, read in full here on John Shaqi.
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