Struggles and Triumphs: or, Forty Years' Recollections of P. T. BarnumBarnum, P. T. (Phineas Taylor)
General
Struggles and Triumphs: or, Forty Years' Recollections of P. T. Barnum
Barnum, P. T. (Phineas Taylor)
Barnum, P. T. (Phineas Taylor), 1810-1891; Circus owners -- United States -- Biography
Longchamps day arrived, and among the many splendid equipages on the
grand avenue, none attracted more attention than the superb little
carriage with four ponies and liveried and powdered coachman and
footman, belonging to the General, and conspicuous in the line of
carriages containing the Ambassadors to the Court of France. Thousands
upon thousands rent the air with cheers for “General Tom Pouce.” There
never was such an advertisement; the journals next day made elaborate
notices of the “turnout,” and thereafter whenever the General’s carriage
appeared on the boulevards, as it did daily, the people flocked to the
doors of the cafés and shops to see it pass.
Thus, before I opened the exhibition all Paris knew that General Tom
Thumb was in the city. The French are exceedingly impressible; and what
in London is only excitement, in Paris becomes furor. Under this
pressure, with the prestige of my first visit to the Tuileries and the
numberless paragraphs in the papers, I opened my doors to an eager
throng. The élite of the city came to the exhibition; the first day’s
receipts were 5,500 francs, which would have been doubled if I could
have made room for more patrons. There were afternoon and evening
performances and from that day secured seats at an extra price were
engaged in advance for the entire two months. The season was more than a
success, it was a triumph.
It seemed, too, as if the whole city was advertising me. The papers were
profuse in their praises of the General and his performances. _Figaro_,
the _Punch_ of
[Illustration: _ROYAL HONORS TO THE GENERAL_.]
Paris, gave a picture of an immense mastiff running away with the
General’s carriage and horses in his mouth. Statuettes of “Tom Pouce”
appeared in all the windows, in plaster, Parian, sugar and chocolate;
songs were written about him and his lithograph was seen everywhere. A
fine café on one of the boulevards took the name of “Tom Pouce” and
displayed over the door a life-size statue of the General. In Paris, as
in London, several eminent painters expressed their desire to paint his
portrait, but the General’s engagements were so pressing that he found
little time to sit to artists. All the leading actors and actresses came
to the General’s levees and petted him and made him many presents.
Meanwhile, the daily receipts continued to swell, and I was compelled to
take a cab to carry my bag of silver home at night.
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account