Struggles and Triumphs: or, Forty Years' Recollections of P. T. BarnumBarnum, P. T. (Phineas Taylor)
General
Struggles and Triumphs: or, Forty Years' Recollections of P. T. Barnum
Barnum, P. T. (Phineas Taylor)
Barnum, P. T. (Phineas Taylor), 1810-1891; Circus owners -- United States -- Biography
The official, who had compromised with me for a two months’ license at
2,000 francs, was amazed as well as annoyed at the success of my
“dwarf.” He came, or sent a man, to the levees to take account of the
receipts and every additional thousand francs gave him an additional
twinge. He seriously appealed to me to give him more money; but when I
reminded him of the excellent bargain he supposed he was making,
especially when he added the conditional clause that I should forfeit
the 2,000 francs if I did not exhibit or if the General died, he smiled
faintly and said something about a “Yankee trick.” I asked him if he
would renew our agreement for two months more on the same terms; and he
shrugged his shoulders and said:
“No, Monsieur Barnum; you will pay me twenty-five per cent of your
receipts when the two months of our contract expires.”
But I did not; for I appealed to the authorities, claiming that I should
pay only the ordinary theatrical tax, since the General’s exhibition
consisted chiefly of character imitations in various costumes, and he
was more attractive as an actor than as a natural curiosity. My view of
the case was decided to be correct, and thereafter, in Paris and
throughout France, with few exceptions, I paid only the eleven per cent
theatrical tax.
Indeed, in Paris, the General made a great hit as an actor and was
elected a member of the French Dramatic Society. Besides holding his
levees, he appeared every night at the Vaudeville Theatre in a French
play, entitled “Petit Poucet,” and written expressly for him, and he
afterwards repeated the part with great success in other cities. The
demands upon our time were incessant. We were invited everywhere to
dinners and entertainments, and as many of these were understood to be
private performances of the General, we were most liberally remunerated
therefor. M. Galignani invited us to a soiree and introduced us to some
of the most prominent personages, including artists, actors and editors,
in Paris. The General was frequently engaged at a large price to show
himself for a quarter of an hour at some fancy or charitable fair, and
much money was made in this way. On Sundays, he was employed at one or
another of the great gardens in the outskirts, and thus was seen by
thousands of working people who could not attend his levees. All classes
became acquainted with “Tom Pouce.”
Public-domain text, read in full here on John Shaqi.
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