Struggles and Triumphs: or, Forty Years' Recollections of P. T. BarnumBarnum, P. T. (Phineas Taylor)
General
Struggles and Triumphs: or, Forty Years' Recollections of P. T. Barnum
Barnum, P. T. (Phineas Taylor)
Barnum, P. T. (Phineas Taylor), 1810-1891; Circus owners -- United States -- Biography
The Museum was always open at sunrise, and this was so well known
throughout the country that strangers coming to the city would often
take a tour through my halls before going to breakfast or to their
hotels. I do not believe there was ever a more truly popular place of
amusement. I frequently compared the annual number of visitors with the
number officially reported as visiting (free of charge), the British
Museum in London, and my list was invariably the larger. Nor do I
believe that any man or manager ever labored more industriously to
please his patrons. I furnished the most attractive exhibitions which
money could procure; I abolished all vulgarity and profanity from the
stage, and I prided myself upon the fact that parents and children could
attend the dramatic performances in the so-called Lecture Room, and not
be shocked or offended by anything they might see or hear; I introduced
the “Moral Drama,” producing such plays as “The Drunkard,” “Uncle Tom’s
Cabin,” “Moses in Egypt,” “Joseph and His Brethren,” and occasional
spectacular melodramas produced with great care and at considerable
outlay.
Mr. Sothern, who has since attained such wide-spread celebrity at home
and abroad as a character actor, was a member of my dramatic company for
one or two seasons. Mr. Barney Williams also began his theatrical career
at the Museum, occupying, at first, quite a subordinate position, at a
salary of ten dollars a week. During the past twelve or fifteen years, I
presume his weekly receipts, when he has acted, have been nearly $3,000.
The late Miss Mary Gannon also commenced at the Museum, and many more
actors and actresses of celebrity have been, from time to time, engaged
there. What was once the small Lecture Room was converted into a
spacious and beautiful theatre, extending over the lots adjoining the
Museum, and capable of holding about three thousand persons. The saloons
were greatly multiplied and enlarged, and the “egress” having been made
to work to perfection, on holidays I advertised Lecture Room
performances every hour through the afternoon and evening, and
consequently the actors and actresses were dressed for the stage as
early as eleven o’clock in the morning, and did not resume their
ordinary clothes till ten o’clock at night. In these busy days the meals
for the company were brought in and served in the dressing-rooms and
green-rooms, and the company always received extra pay.
Leaving nothing undone that would bring Barnum and his Museum before the
public, I often engaged some exhibition, knowing that it would directly
bring no extra dollars to the treasury, but hoping that it would incite
a newspaper paragraph which would float through the columns of the
American press and be copied, perhaps, abroad, and my hopes in this
respect were often gratified.
Public-domain text, read in full here on John Shaqi.
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