Country life -- Fiction; Family -- Fiction; Louisville (Ky.) -- Fiction; Man-woman relationships -- Fiction
They walked along the street in the gathering darkness soberly, he
returning monosyllabic answers to the perfunctory questions which she
fired at him, brightly crisp. Like the questionnaire of a superior
officer he felt. Then for nearly a block they said nothing. Glancing
sidewise at her he caught the straight, almost grim line of her mouth
and the little pucker between her brows. As if realizing she was being
observed she suddenly asked:
"What are you doing out at the Works?"
Joe paused a moment before replying. "When I was in Texas," he began,
"out in the sticks, we had a flood, and the road from headquarters was
in danger of being washed away. Culverts too small. Had one nigger
standing on the bank of one stream by the head of a culvert catching
the sticks and brush and dragging them up on the bank so they wouldn't
clog up the hole." He spoke in a quietly reminiscent tone.
She turned and looked at him curiously. "But I said, 'What are _you_
doing _now_ at the Works?'"
"I know," he continued, in the same tone. "That's what I'm doing at
the Plow Factory. Keeping the water running."
She smiled, just a flash of a smile. "Doesn't sound so bad, even if
you are secretive about it. How did the nigger take care of his job?"
Joe looked up quickly. "Oh--he? He fell asleep. And then he fell in
the creek."
Mary Louise was watching him, waiting for him to finish. At last he
seemed to have got her entire attention. "And then?"
"Then he got pneumonia--and died."
They crossed the street. Up ahead the lights of the theatre gleamed
dazzling white. The crowd was getting almost too thick to permit
conversation.
"You don't like your job then?"
He flared into sudden unexpected defense of it. "Well, I haven't gone
to sleep on it yet."
They said no more, for the task of passing the ticket chopper and then
of getting settled in their seats was all absorbing. And then directly
the curtain rose and Joe found himself slipping into a delightfully
relaxed forgetfulness. He was being amused. His good humour was
returning. He got an occasional glance at Mary Louise, sometimes
during contagious gales of laughter that would sweep the audience, and
saw her smiling slightly, mostly with her eyes; and was puzzled, for
the humour was not that sort. Had he stopped to think, or had he been
more experienced, he would not have been thus puzzled, for he would
have realized that the sudden putting on of sophistication is always a
puzzling thing.
But he banished the question and gave himself up entirely to
enjoyment. And when the final curtain fell he rose to his feet with a
faint inner sigh of regret. It was with high good humour that he
gained his companion's side outside the theatre.
"We'll get a bite to eat down in the Rathskeller," he suggested gaily.
"No, Joe, let's not. This is enough for one evening." She turned as if
to start southward, toward home, but he seized her arm, laughing:
Public-domain text, read in full here on John Shaqi.
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