Studies and Essays: Censorship and ArtGalsworthy, John
Philosophy
Studies and Essays: Censorship and Art
Galsworthy, John
Art; Art -- Censorship; Art -- Philosophy
And how has it come, this slowly growing faith in Perfection for
Perfection's sake? Surely like this: The Western world awoke one day to
find that it no longer believed corporately and for certain in future
life for the individual consciousness. It began to feel: I cannot say
more than that there may be--Death may be the end of man, or Death may be
nothing. And it began to ask itself in this uncertainty: Do I then
desire to go on living? Now, since it found that it desired to go on
living at least as earnestly as ever it did before, it began to inquire
why. And slowly it perceived that there was, inborn within it, a
passionate instinct of which it had hardly till then been conscious--a
sacred instinct to perfect itself, now, as well as in a possible
hereafter; to perfect itself because Perfection was desirable, a vision
to be adored, and striven for; a dream motive fastened within the
Universe; the very essential Cause of everything. And it began to see
that this Perfection, cosmically, was nothing but perfect Equanimity and
Harmony; and in human relations, nothing but perfect Love and Justice.
And Perfection began to glow before the eyes of the Western world like a
new star, whose light touched with glamour all things as they came forth
from Mystery, till to Mystery they were ready to return.
This--I thought is surely what the Western world has dimly been
rediscovering. There has crept into our minds once more the feeling that
the Universe is all of a piece, Equipoise supreme; and all things equally
wonderful, and mysterious, and valuable. We have begun, in fact, to have
a glimmering of the artist's creed, that nothing may we despise or
neglect--that everything is worth the doing well, the making fair--that
our God, Perfection, is implicit everywhere, and the revelation of Him
the business of our Art.
And as I jotted down these words I noticed that some real stars had crept
up into the sky, so gradually darkening above the pollard lime-trees;
cuckoos, who had been calling on the thorn-trees all the afternoon, were
silent; the swallows no longer flirted past, but a bat was already in
career over the holly hedge; and round me the buttercups were closing.
The whole form and feeling of the world had changed, so that I seemed to
have before me a new picture hanging.
Public-domain text, read in full here on John Shaqi.
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