Studies and Essays: Concerning LettersGalsworthy, John
General
Studies and Essays: Concerning Letters
Galsworthy, John
English essays
Produced by David Widger
STUDIES AND ESSAYS
By John Galsworthy
"Je vous dirai que l'exces est toujours un mal."
--ANATOLE FRANCE
CONCERNING LETTERS
TABLE OF CONTENTS:
A NOVELIST'S ALLEGORY
SOME PLATITUDES CONCERNING DRAMA
MEDITATION ON FINALITY
WANTED--SCHOOLING
ON OUR DISLIKE OF THINGS AS THEY ARE
THE WINDLESTRAW
A NOVELIST'S ALLEGORY
Once upon a time the Prince of Felicitas had occasion to set forth on a
journey. It was a late autumn evening with few pale stars and a moon no
larger than the paring of a finger-nail. And as he rode through the
purlieus of his city, the white mane of his amber-coloured steed was all
that he could clearly see in the dusk of the high streets. His way led
through a quarter but little known to him, and he was surprised to find
that his horse, instead of ambling forward with his customary gentle
vigour, stepped carefully from side to side, stopping now and then to
curve his neck and prick his ears--as though at some thing of fear
unseen in the darkness; while on either hand creatures could be heard
rustling and scuttling, and little cold draughts as of wings fanned the
rider's cheeks.
The Prince at last turned in his saddle, but so great was the darkness
that he could not even see his escort.
"What is the name of this street?" he said.
"Sire, it is called the Vita Publica."
"It is very dark." Even as he spoke his horse staggered, but, recovering
its foothold with an effort, stood trembling violently. Nor could all the
incitements of its master induce the beast again to move forward.
"Is there no one with a lanthorn in this street?" asked the Prince.
His attendants began forthwith to call out loudly for any one who had a
lanthorn. Now, it chanced that an old man sleeping in a hovel on a
pallet of straw was, awakened by these cries. When he heard that it was
the Prince of Felicitas himself, he came hastily, carrying his lanthorn,
and stood trembling beside the Prince's horse. It was so dark that the
Prince could not see him.
"Light your lanthorn, old man," he said.
The old man laboriously lit his lanthorn. Its pale rays fled out on
either hand; beautiful but grim was the vision they disclosed. Tall
houses, fair court-yards, and a palm grown garden; in front of the
Prince's horse a deep cesspool, on whose jagged edges the good beast's
hoofs were planted; and, as far as the glimmer of the lanthorn stretched,
both ways down the rutted street, paving stones displaced, and smooth
tesselated marble; pools of mud, the hanging fruit of an orange tree, and
dark, scurrying shapes of monstrous rats bolting across from house to
house. The old man held the lanthorn higher; and instantly bats flying
against it would have beaten out the light but for the thin protection of
its horn sides.
Public-domain text, read in full here on John Shaqi.
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