Studies and Essays: The Inn of Tranquility, and OthersGalsworthy, John
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Studies and Essays: The Inn of Tranquility, and Others
Galsworthy, John
Autobiographical fiction; Essays; Short stories
But there had been in the air that morning something more than the white
sunlight. There had been anticipation. And at two o'clock began
fulfilment. The forges were stilled, and from court and alley forth came
the women. In their ragged working clothes, in their best clothes--so
little different; in bonnets, in hats, bareheaded; with babies born and
unborn, they swarmed into the high street and formed across it behind the
band. A strange, magpie, jay-like flock; black, white, patched with
brown and green and blue, shifting, chattering, laughing, seeming
unconscious of any purpose. A thousand and more of them, with faces
twisted and scored by those myriad deformings which a desperate
town-toiling and little food fasten on human visages; yet with hardly a
single evil or brutal face. Seemingly it was not easy to be evil or
brutal on a wage that scarcely bound soul and body. A thousand and more
of the poorest-paid and hardest-worked human beings in the world.
On the pavement alongside this strange, acquiescing assembly of revolt,
about to march in protest against the conditions of their lives, stood a
young woman without a hat and in poor clothes, but with a sort of beauty
in her rough-haired, high cheek-boned, dark-eyed face. She was not one
of them; yet, by a stroke of Nature's irony, there was graven on her face
alone of all those faces, the true look of rebellion; a haughty, almost
fierce, uneasy look--an untamed look. On all the other thousand faces
one could see no bitterness, no fierceness, not even enthusiasm; only a
half-stolid, half-vivacious patience and eagerness as of children going
to a party.
The band played; and they began to march.
Laughing, talking, waving flags, trying to keep step; with the same
expression slowly but surely coming over every face; the future was not;
only the present--this happy present of marching behind the discordance
of a brass band; this strange present of crowded movement and laughter in
open air.
Public-domain text, read in full here on John Shaqi.
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