Studies in Central American Picture-Writing: First Annual Report of the Bureau of Ethnology to the; Secretary of the Smithsonian Institution, 1879-80,; Government Printing Office, Washington, 1881, pages 205-245Holden, Edward S. (Edward Singleton)
History
Studies in Central American Picture-Writing: First Annual Report of the Bureau of Ethnology to the; Secretary of the Smithsonian Institution, 1879-80,; Government Printing Office, Washington, 1881, pages 205-245
Holden, Edward S. (Edward Singleton)
Mayan languages -- Writing
My programme at beginning was, _first_, to see if the inscriptions at
Copan and Palenque were written in the same tongue. When I say "to see,"
I mean to definitely prove the fact, and so in other cases; _second_, to
see how the tablets were to be read. That is, in horizontal lines, are
they to be read from right to left, or the reverse? In vertical columns,
are they to be read up or down? _Third_, to see whether they were
phonetic characters, or merely ideographic, or a mixture of the
two--rebus-like, in fact.
If the characters turned out to be purely phonetic, I had determined to
stop at this point, since I had not the time to learn the Maya language,
and again because I utterly and totally distrusted the methods which, up
to this time, have been applied by BRASSEUR DE BOURBOURG and others who
start, and must start, from the misleading and unlucky alphabet handed
down by LANDA. I believe that legacy to have been a positive misfortune,
and I believe any process of the kind attempted by BRASSEUR DE BOURBOURG
(for example, in his essay on the _MS. Troano_) to be extremely
dangerous and difficult in application, and to require a degree of
scientific caution almost unique.
Dr. HARRISON ALLEN, in his paper, "The Life Form in Art," in the
_Transactions of the American Philosophical Society_, is the only
investigator who has applied this method to Central American remains
with success, so it seems to me; and even here errors have occurred.
The process I allude to is something like the following: A set of
characters, say the alphabet of LANDA, is taken as a starting point. The
_variants_ of these are formed. Then the basis of the investigation is
ready. From this, the interpretation follows by identifications of each
new character with one of the standard set or with one of its
_variants_. Theoretically, there is no objection to this procedure.
Practically, also, there is no objection if the work is done strictly in
the order named. In fact, however, the list of _variants_ is filled out
not before the work is begun, but during its progress, and in such a way
as to satisfy the necessities of the interpreter in carrying out some
preconceived idea. With a sufficient latitude in the choice of
_variants_ any MS. can receive any interpretation. For example, the _MS.
Troano_, which a casual examination leads me to think is a _ritual_, and
an account of the adventures of several Maya gods, is interpreted by
BRASSEUR DE BOURBOURG as a record of mighty geologic changes. It is next
to impossible to avoid errors of this nature at least, and in fact they
have not been avoided, so far as I know, except by Dr. ALLEN in the
paper cited.
I, personally, have chosen the stones and not the manuscripts for study
largely because _variants_ do not exist in the same liberal degree in
the stone inscriptions as they have been supposed to exist in the
manuscripts.
Public-domain text, read in full here on John Shaqi.
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