Studies in Classic American LiteratureLawrence, D. H. (David Herbert)
History
Studies in Classic American Literature
Lawrence, D. H. (David Herbert)
American literature -- History and criticism
What can be more mechanical? The difference between life and matter is
that life, living things, living creatures, have the instinct of turning
right away from _some_ matter, and of blissfully ignoring the bulk of
most matter, and of turning towards only some certain bits of specially
selected matter. As for living creatures all helplessly hurtling
together into one great snowball, why, most very living creatures spend
the greater part of their time getting out of the sight, smell or sound
of the rest of living creatures. Even bees only cluster on their own
queen. And that is sickening enough. Fancy all white humanity clustering
on one another like a lump of bees.
No, Walt, you give yourself away. Matter _does_ gravitate, helplessly.
But men are tricky-tricksy, and they shy all sorts of ways.
Matter gravitates because it is helpless and mechanical.
And if you gravitate the same, if the body of you gravitates to all you
meet or know, why, something must have gone seriously wrong with you.
You must have broken your main-spring.
You must have fallen also into mechanization.
Your Moby Dick must be really dead. That lonely phallic monster of the
individual you. Dead mentalized.
I only know that my body doesn't by any means gravitate to all I meet or
know. I find I can shake hands with a few people. But most I wouldn't
touch with a long prop.
Your mainspring is broken, Walt Whitman. The mainspring of your own
individuality. And so you run down with a great whirr, merging with
everything.
You have killed your isolate Moby Dick. You have mentalized your deep
sensual body, and that's the death of it.
I am everything and everything is me and so we're all One in One
Identity, like the Mundane Egg, which has been addled quite a while.
"Whoever you are, to endless announcements----"
"And of these one and all I weave the song of myself."
Do you? Well, then, it just shows you haven't _got_ any self. It's a
mush, not a woven thing. A hotch-potch, not a tissue. Your self.
Oh, Walter, Walter, what have you done with it? What have you done with
yourself? With your own individual self? For it sounds as if it had all
leaked out of you, leaked into the universe.
Post mortem effects. The individuality had leaked out of him.
No, no, don't lay this down to poetry. These are post mortem effects.
And Walt's great poems are really huge fat tomb-plants, great rank
graveyard growths.
All that false exuberance. All those lists of things boiled in one
pudding-cloth! No, no!
I don't want all those things inside me, thank you.
"I reject nothing," says Walt.
If that is so, one must be a pipe open at both ends, so everything runs
through.
Post mortem effects.
"I embrace ALL," says Whitman. "I weave all things into myself."
Do you really! There can't be much left of you when you've done. When
you've cooked the awful pudding of One Identity.
"And whoever walks a furlong without sympathy walks to his own funeral
dressed in his own shroud."
Public-domain text, read in full here on John Shaqi.
Reviews
Reviews
No reviews yet
Be the first to share your thoughts on this work.
Elsewhere in the archive
Join the Discussion
Join the discussion
Sign in to leave a comment or review.
Sign InorCreate an account