Studies in Classic American LiteratureLawrence, D. H. (David Herbert)
History
Studies in Classic American Literature
Lawrence, D. H. (David Herbert)
American literature -- History and criticism
Take off your hat then, my funeral procession of one is passing.
This awful Whitman. This post mortem poet. This poet with the private
soul leaking out of him all the time. All his privacy leaking out in a
sort of dribble, oozing into the universe.
Walt becomes in his own person the whole world, the whole universe, the
whole eternity of time. As far as his rather sketchy knowledge of
history will carry him, that is. Because to _be_ a thing he had to know
it. In order to assume the identity of a thing, he had to know that
thing. He was not able to assume one identity with Charlie Chaplin, for
example, because Walt didn't know Charlie. What a pity! He'd have done
poems, pæans and what not. Chants, Songs of Cinematernity.
"Oh, Charlie, my Charlie, another film is done----"
As soon as Walt _knew_ a thing, he assumed a One Identity with it. If he
knew that an Esquimo sat in a kayak, immediately there was Walt being
little and yellow and greasy, sitting in a kayak.
Now will you tell me exactly what a kayak is?
Who is he that demands petty definition? Let him behold me _sitting in a
kayak._
I behold no such thing. I behold a rather fat old man full of a rather
senile, self-conscious sensuosity.
DEMOCRACY. EN MASSE. ONE IDENTITY.
The universe, in short, adds up to ONE.
ONE.
1.
Which is Walt.
His poems. Democracy, En Masse, One Identity, they are long sums in
addition and multiplication, of which the answer is invariably MYSELF.
He reaches the state of ALLNESS.
And what then? It's all empty. Just an empty Allness. An addled egg.
Walt wasn't an Esquimo. A little, yellow, sly, cunning, greasy little
Esquimo. And when Walt blandly assumed Allness, including Esquimoness,
unto himself, he was just sucking the wind out of a blown egg-shell, no
more. Esquimos are not minor little Walts. They are something that I am
not, I know that. Outside the egg of my Allness chuckles the greasy
little Esquimo. Outside the egg of Whitman's Allness too.
But Walt wouldn't have it. He was everything and everything was in him.
He drove an automobile with a very fierce headlight, along the track of
a fixed idea, through the darkness of this world. And he saw Everything
that way. Just as a motorist does in the night.
I, who happen to be asleep under the bushes in the dark, hoping a snake
won't crawl into my neck; I, seeing Walt go by in his great fierce
poetic machine, think to myself: What a funny world that fellow sees!
ONE DIRECTION! toots Walt in the car, whizzing along it.
Whereas there are myriads of ways in the dark, not to mention trackless
wildernesses. As anyone will know who cares to come off the road, even
the Open Road.
ONE DIRECTION! whoops America, and sets off also in an automobile.
ALLNESS! shrieks Walt at a cross-road, going whizz over an unwary Red
Indian.
ONE IDENTITY! chants democratic En Masse, pelting behind in motorcars,
oblivious of the corpses under the wheels.
Public-domain text, read in full here on John Shaqi.
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