Studies in Classic American LiteratureLawrence, D. H. (David Herbert)
History
Studies in Classic American Literature
Lawrence, D. H. (David Herbert)
American literature -- History and criticism
The Effinghams are three extremely refined, genteel Americans who are
"Homeward Bound" from England to the States. Their party consists of
father, daughter, and uncle, and faithful nurse. The daughter has just
finished her education in Europe. She has, indeed, skimmed the cream off
Europe. England, France, Italy, and Germany have nothing more to teach
her. She is bright and charming, admirable creature; a real modern
heroine; intrepid, calm, and self-collected, yet admirably impulsive,
always in perfectly good taste; clever and assured in her speech, like a
man, but withal charmingly deferential and modest before the stronger
sex. It is the perfection of the ideal female. We have learned to
shudder at her, but Cooper still admired.
On board is the other type of American, the parvenu, the demagogue, who
has "done" Europe and put it in his breeches pocket, in a month. Oh,
Septimus Dodge, if a European had drawn you, that European would never
have been forgiven by America. But an American drew you, so Americans
wisely ignore you.
Septimus is the American self-made man. God had no hand in his make-up.
He made himself. He has been to Europe, no doubt seen everything,
including the Venus de Milo. "What, is that the Venus de Milo?" And he
turns his back on the lady. He's seen her. He's got her. She's a fish he
has hooked, and he's off to America with her, leaving the scum of a
statue standing in the Louvre.
That is one American wav of Vandalism. The original Vandals would have
given the complacent dame a knock with a battle-axe, and ended her. The
insatiable American looks at her. "Is that the Venus de Milo?--come on!"
And the Venus de Milo stands there like a naked slave in a market-place,
whom someone has spat on. Spat on!
I have often thought, hearing American tourists in Europe--in the
Bargello in Florence, for example, or in the Piazza di San Marco in
Venice--exclaiming, "Isn't that just too cunning!" or else "Aren't you
perfectly crazy about Saint Mark's! Don't you think those cupolas are
like the loveliest _turnips_ upside down, you know"--as if the beautiful
things of Europe were just having their guts pulled out by these
American admirers. They admire so wholesale. Sometimes they even seem to
grovel. But the golden cupolas of St. Mark's in Venice are turnips
upside-down in a stale stew, after enough American tourists have looked
at them. Turnips upside down in a stale stew. Poor Europe!
And there you are. When a few German bombs fell upon Rheims Cathedral up
went a howl of execration. But there are more ways than one, of
vandalism. I should think the American admiration of five-minutes'
tourists has done more to kill the sacredness of old European beauty and
aspiration than multitudes of bombs would have done.
But there you are. Europe has got to fall, and peace hath her victories.
Public-domain text, read in full here on John Shaqi.
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