Studies in Classic American LiteratureLawrence, D. H. (David Herbert)
History
Studies in Classic American Literature
Lawrence, D. H. (David Herbert)
American literature -- History and criticism
In the human realm, Roderick had one connection: his sister Madeline.
She, too, was dying of a mysterious disorder, nervous, cataleptic. The
brother and sister loved each other passionately and exclusively. They
were twins, almost identical in looks. It was the same absorbing love
between them, this process of unison in nerve-vibration, resulting in
more and more extreme exaltation and a sort of consciousness, and a
gradual break-down into death. The exquisitely sensitive Roger,
vibrating without resistance with his sister Madeline, more and more
exquisitely, and gradually devouring her, sucking her life like a
vampire in his anguish of extreme love. And she asking to be sucked.
Madeline died and was carried down by her brother into the deep vaults
of the house. But she was not dead. Her brother roamed about in
incipient madness--a madness of unspeakable terror and guilt. After
eight days they were suddenly startled by a clash of metal, then a
distinct, hollow metallic, and clangorous, yet apparently muffled,
reverberation. Then Roderick Usher, gibbering, began to express himself:
"_We have put her living into the tomb!_ Said I not that my senses were
acute? I now tell you that I heard her first feeble movements in the
hollow coffin. I heard them--many, many days ago--yet I dared not--_I
dared not speak._"
It is the same old theme of "each man kills the thing he loves." He knew
his love had killed her. He knew she died at last, like Ligeia,
unwilling and unappeased. So, she rose again upon him. "But then without
those doors there did stand the lofty and enshrouded figure of the Lady
Madeline of Usher. There was blood upon her white robes, and the
evidence of some bitter struggle upon every portion of her emaciated
frame. For a moment she remained trembling and reeling to and fro upon
the threshold, then, with a low moaning cry, fell heavily inward upon
the person of her brother, and in her violent and now final
death-agonies bore him to the floor a corpse, and a victim to the
terrors he had anticipated."
It is lurid and melodramatic, but it is true. It is a ghastly
psychological truth of what happens in the last stages of this beloved
love, which cannot be separate, cannot be isolate, cannot listen in
isolation to the isolate Holy Ghost. For it is the Holy Ghost we must
live by. The next era is the era of the Holy Ghost. And the Holy Ghost
speaks individually inside each individual: always, for ever a ghost.
There is no manifestation to the general world. Each isolate individual
listening in isolation to the Holy Ghost within him.
The Ushers, brother and sister, betrayed the Holy Ghost in themselves.
They would love, love, love, without resistance. They would love, they
would merge, they would be as one thing. So they dragged each other down
into death. For the Holy Ghost says you must _not_ be as one thing with
another being. Each must abide by itself, and correspond only within
certain limits.
Public-domain text, read in full here on John Shaqi.
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