Studies in Classic American LiteratureLawrence, D. H. (David Herbert)
History
Studies in Classic American Literature
Lawrence, D. H. (David Herbert)
American literature -- History and criticism
"Not a human being but ourselves for miles--the steep hill rising like a
wall, and cutting us off from all the world--but the 'world of waters.'
I separated myself from the rest, and sat down on a rock, just where the
sea ran in and formed a fine spouting-horn. Compared with the dull,
plain sand-beach of the rest of the coast, this grandeur was as
refreshing as a great rock in a weary land. It was almost the first time
I had been positively alone.... My better nature returned strong upon
me. I experienced a glow of pleasure at finding that what of poetry and
romance I had ever had in me had not been entirely deadened in the
laborious life I had been lately leading. Nearly an hour did I sit,
almost lost in the luxury of this entire new scene of the play in which
I was acting, when I was aroused by the distant shouts of my
companions."
So Dana sits and Hamletizes by the Pacific--chief actor in the play of
his own existence. But in him, self-consciousness is almost nearing the
mark of scientific indifference to self.
He gives us a pretty picture of the then wild, unknown bay of San
Francisco.--"The tide leaving us, we came to anchor near the mouth of
the bay, under a high and beautifully sloping hill, upon which herds of
hundreds of red deer, and the stag, with his high-branching antlers were
bounding about, looking at us for a moment, and then starting off
affrighted at the noises we made for the purpose of seeing the variety
of their beautiful attitudes and motions----"
Think of it now, and the Presidio! The idiotic guns.
Two moments of strong human emotion Dana experiences: one moment of
strong but impotent hate for the captain, one strong impulse of pitying
love for the Kanaka boy, Hope--a beautiful South Sea Islander sick of a
white man's disease, phthisis or syphilis. Of him Dana writes--"but the
other, who was my friend, and aikane--Hope--was the most dreadful object
I had ever seen in my life; his hands looking like claws; a dreadful
cough, which seemed to rack his whole shattered system; a hollow,
whispering voice, and an entire inability to move himself. There he lay,
upon a mat on the ground, which was the only floor of the oven, with no
medicine, no comforts, and no one to care for or help him but a few
Kanakas, who were willing enough, but could do nothing. The sight of him
made me sick and faint. Poor fellow! During the four months that I lived
upon the beach we were continually together, both in work and in our
excursions in the woods and upon the water. I really felt a strong
affection for him, and preferred him to any of my own countrymen there.
When I came into the oven he looked at me, held out his hand and said in
a low voice, but with a delightful smile, 'Aloha, Aikane! Aloha nui!' I
comforted him as well as I could, and promised to ask the captain to
help him from the medicine chest."
Public-domain text, read in full here on John Shaqi.
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