Studies in Classic American LiteratureLawrence, D. H. (David Herbert)
History
Studies in Classic American Literature
Lawrence, D. H. (David Herbert)
American literature -- History and criticism
The Maoris, the Tongans, the Marquesans, the Fijians, the Polynesians:
holy God, how long have they been turning over in the same sleep, with
varying dreams. Perhaps, to a sensitive imagination, those islands in
the middle of the Pacific are the most unbearable places on earth. It
simply stops the heart, to be translated there, unknown ages back, back
into that life, that pulse, that rhythm. The scientists say the South
Sea Islanders belong to the Stone Age. It seems absurd to class people
according to their implements. And yet there is something in it. The
heart of the Pacific is still the Stone Age; in spite of steamers. The
heart of the Pacific seems like a vast vacuum, in which, mirage-like,
continues the life of myriads of ages back. It is a phantom-persistence
of human beings who should have died, by our chronology, in the Stone
Age. It is a phantom, illusion-like trick of reality: the glamorous
South Seas.
Even Japan and China have been turning over in their sleep for countless
centuries. Their blood is the old blood, their tissue the old soft
tissue. Their busy day was myriads of years ago, when the world was a
softer place, more moisture in the air, more warm mud on the face of the
earth, and the lotus was always in flower. The great bygone world,
before Egypt. And Japan and China have been turning over in their sleep,
while we have "advanced." And now they are starting up into nightmare.
The world isn't what it seems.
The Pacific Ocean holds the dream of immemorial centuries. It is the
great blue twilight of the vastest of all evenings: perhaps of the most
wonderful of all dawns. Who knows.
It must once have been a vast basin of soft, lotus-warm civilization,
the Pacific. Never was such a huge man-day swung down into slow
disintegration, as here. And now the waters are blue and ghostly with
the end of immemorial peoples. And phantom-like the islands rise out of
it, illusions of the glamorous Stone Age.
To this phantom Melville returned. Back, back, away from life. Never man
instinctively hated human life, our human life, as we have it, more than
Melville did. And never was a man so passionately filled with the sense
of vastness and mystery of life which is non-human. He was mad to look
over our horizons. Anywhere, anywhere out of _our_ world. To get away.
To get away, out!
To get away, out of our life. To cross a horizon into another life. No
matter what life, so long as it is another life.
Away, away from humanity. To the sea. The naked, salt, elemental sea. To
go to sea, to escape humanity.
The human heart gets into a frenzy at last, in its desire to dehumanize
itself.
So he finds himself in the middle of the Pacific. Truly over a horizon.
In another world. In another epoch. Back, far back, in the days of palm
trees and lizards and stone implements. The sunny Stone Age.
Public-domain text, read in full here on John Shaqi.
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