Studies in Classic American LiteratureLawrence, D. H. (David Herbert)
History
Studies in Classic American Literature
Lawrence, D. H. (David Herbert)
American literature -- History and criticism
There they are, these South Sea Islanders, beautiful big men with their
golden limbs and their laughing, graceful laziness. And they will call
you brother, choose you as a brother. But why cannot one truly be
brother?
There is an invisible hand grasps my heart and prevents it opening too
much to these strangers. They are beautiful, they are like children,
they are generous: but they are more than this. They are far off, and in
their eyes is an easy darkness of the soft, uncreate past. In a way,
they are uncreate. Far be it from me to assume any "white" superiority.
But they are savages. They are gentle and laughing and physically very
handsome. But it seems to me, that in living so far, through all our
bitter centuries of civilization, we have still been living onwards,
forwards. God knows it looks like a cul de sac now. But turn to the
first negro, and then listen to your own soul. And your own soul will
tell you that however false and foul our forms and systems are now,
still, through the many centuries since Egypt, we have been living and
struggling forwards along some road that is no road, and yet is a great
life-development. We have struggled on in us that on we must still go.
We may have to smash things. Then let us smash. And our road may have to
take a great swerve, that seems a retrogression.
But we can't go back. Whatever else the South Sea Islander is, he is
centuries and centuries behind us in the life struggle, the
consciousness-struggle, the struggle of the soul into fulness. There is
his woman, with her knotted hair and her dark, inchoate, slightly
sardonic eyes. I like her, she is nice. But I would never want to touch
her. I could not go back on myself so far. Back to their uncreate
condition.
She has soft warm flesh, like warm mud. Nearer the reptile, the Saurian
age. _Noli me tangere._
We can't go back. We can't go back to the savages: not a stride. We can
be in sympathy with them. We can take a great curve in their direction,
onwards. But we cannot turn the current of our life backwards, back
towards their soft warm twilight and uncreate mud. Not for a moment. If
we do it for a moment, it makes us sick.
We can only do it when we are renegade. The renegade hates life itself.
He wants the death of life. So these many "reformers" and "idealists"
who glorify the savages in America. They are death-birds, life-haters.
Renegades.
We can't go back. And Melville couldn't. Much as he hated the civilized
humanity he knew. He couldn't go back to the savages. He wanted to. He
tried to. And he couldn't.
Because, in the first place, it made him sick. It made him physically
ill. He had something wrong with his leg, and this would not heal. It
got worse and worse, during his four months on the island. When he
escaped, he was in a deplorable condition. Sick and miserable. Ill, very
ill.
Paradise!
Public-domain text, read in full here on John Shaqi.
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