He might, however, have failed to secure a place in the front rank. His style was forcible, copious, rich with various knowledge, warm with the ardour of his temperament. But it suffered from an inborn tendency to exuberance which the long practice of oratory had confirmed. It was diffuse, apt to pursue a topic into details, when these might have been left to the reader's own reflection. It was redundant, employing more words than were needed to convey the substance. It was unchastened, indulging too freely in tropes and metaphors, in quotations and adapted phrases even when the quotation added nothing to the sense, but was suggested merely by some association in his own mind. Thus it seldom reached a high level of purity and grace, and though one might excuse the faults as natural to the work of a swift and busy man, they were sufficient to reduce the pleasure to be derived from the form and dress of his thoughts. Nevertheless there are not a few passages of rare merit, both in the books and in the articles, among which may be cited (not as exceptionally good, but as typical of his strong points) the striking picture of his own youthful feeling toward the Church of England contained in the _Chapter of Autobiography_, and the refined criticism of _Robert Elsmere_, published in 1888. Almost the last thing he wrote, a pamphlet on the Greek and Cretan question, published in the spring of 1897, has the force and cogency of his best days. Two things were never wanting to him: vigour of expression and an admirable command of appropriate words.