Studies in Contemporary BiographyBryce, James Bryce, Viscount
History
Studies in Contemporary Biography
Bryce, James Bryce, Viscount
Great Britain -- Biography
His pictures of historical scenes are admirable, for with his interest
in the study of character there went a large measure of dramatic
power. Nothing can be better in its way than the description of the
murder of St. Thomas of Canterbury given in the _Memorials of
Canterbury_, which, after _Sinai and Palestine_ and the _Life of
Arnold_, may be deemed the best of Stanley's books. Whether he could,
with more leisure for careful thought and study, have become a
great historian, was a question which those of us who were dazzled
by his Public Lectures at Oxford used often to discuss. The leisure
never came, for he was throughout life warmly interested in every
current ecclesiastical question, and ready to bear a part in
discussing it, either in the press--for he wrote in the _Edinburgh
Review_, and often sent letters to the _Times_ under the signature of
"Anglicanus"--or in Convocation, where he had a seat during the
latter part of his career. These interruptions not only checked the
progress of his studies, but gave to his compositions an air of
haste, which made them seem to want system and finish. The habit
of rapid writing for magazines or other ephemeral purposes is alleged
to tell injuriously upon literary men: it told the more upon
Stanley because he was also compelled to produce sermons rapidly.
Now sermon-writing, while it breeds a tendency to the making of
rhetorical points, subordinates the habit of dispassionate inquiry to
the enforcement of a moral lesson. Stanley, who had a touch of
the rhetorical temperament, and was always eager to improve an
occasion, certainly suffered in this way. When he brings out a
general truth he is not content with it as a truth, but seeks to turn
it also to edification, or to make it illustrate and support some
view for which he is contending at the time. When he is simply
describing, he describes rather as a dramatic artist working for
effect than as a historian solely anxious to represent men and
events as they were. Yet if we consider how much a historian gains,
not only from an intimate knowledge of his own time, but also, and
even more largely, from playing an active part in the events of his
own time, from swaying opinion by his writings and his speeches,
from sitting in assemblies and organising schemes of attack and
defence, we may hesitate to wish that Stanley's time had been more
exclusively given to quiet investigation. The freshness of his
historical portraits is notably due to the sense he carried about
with him of moving in history and being a part of it. He never
mounted his pulpit in the Abbey or walked into the Jerusalem
Chamber when Convocation was sitting without feeling that he was about
to do something which might possibly be recorded in the annals of
his country. I remember his mentioning, to illustrate undergraduate
ignorance, that once when he was going to give a lecture to his
class, he suddenly recollected that Mr. Goldwin Smith, then Regius
Public-domain text, read in full here on John Shaqi.
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