Studies in Folk-Song and Popular PoetryWilliams, Alfred M. (Alfred Mason)
History
Studies in Folk-Song and Popular Poetry
Williams, Alfred M. (Alfred Mason)
Folk songs -- History and criticism
Good and kind.
I had a letter from the war,
Good and kind.
I had a letter from the war,
Good and kind.
Which said my brave marine was dead,
I thought it true; again I wed,
Good and kind.
The brave marine drank out his glass,
Good and kind.
The brave marine drank out his glass,
Good and kind.
Without a word, while soft tears flowed,
To his corps went back his road,
Good and kind.
SOME ANCIENT PORTUGUESE BALLADS.
|The larger and more important literature of
Spain has naturally drawn a wider attention than that of its smaller
neighbor in the Iberian peninsula. The great achievements of Spanish
genius in the era of its intellectual efflorescence have compelled the
intellectual world to study its language and familiarize itself with its
literature. And not only have the great works of Cervantes and Calderon
and Lope de Yega been studied and criticised, and reproduced in all the
cultivated languages of Europe, but the treasures of popular Spanish
poetry, with their rich elements of chivalry and romantic passion, have
been carefully studied and exemplified by foreign scholars, and been
the inspiration of foreign poets and translators. Hardly any country in
Europe has a more valuable collection of popular poetry in the times
of its military and intellectual greatness, or which more thoroughly
illustrates its history or the characteristics of its national
temperament. The long chronicles of the Cid, and the ballad narratives
of the exploits of the heroes of the great struggles for the expulsion
of the Moors, form in themselves a rich body of national poetry,
but they are supplemented by an immense number of episodical ballads
relating to events in national history, and lyrical poems and songs
expressing the strong feeling and intellectual energy of the people.
Many scholars and poets of eminence in European countries have devoted
themselves to the reproduction of these Spanish national poems in their
own languages, and in England during the early part of the present
century there was a strong bent of scholarship in that direction,
induced to a considerable extent, probably, by the national interest
in the Peninsular war. Southey, Scott, and John Hookham Frere gave
admirable translations of Spanish national poems, and the spirited
versions of ancient Spanish ballads by Lockhart have been justly
considered a permanent addition to English poetry.
Public-domain text, read in full here on John Shaqi.
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