Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
Ten or twelve minutes beyond the mill the horses are left and the
traveller sets forward on foot. As we advance the glen grows wilder and
more desolate, but for the first half-mile or so it is fairly open, the
track keeps close to the bed of the stream, and there is no particular
difficulty. A deep glen now joins the glen of the Styx from the
south-east. Here we begin to ascend the slope and cross an artificial
channel which brings down water to the mill. All pretence of a path now
ceases, and henceforward till we reach the foot of the waterfall there
is nothing for it but to scramble over rocks and to creep along slopes
often so steep and precipitous that to find a foothold or handhold on
them is not easy, and stretching away into such depths below that it is
best not to look down them but to keep the eyes fixed on the ground at
one’s feet. A stone set rolling down one of these slopes will be heard
rumbling for a long time, and the sound is echoed and prolonged by the
cliffs with such startling distinctness that at first it sounds as if a
rock were coming thundering down upon the wayfarer from above. In the
worst places the guides point out to the traveller where to plant his
feet and hold him up if he begins to slip. Shrubs, tough grass, and here
and there a stunted pine-tree give a welcome hold, but on the steepest
slopes they are wanting. The last slope up to the foot of the cliff—a
very long and steep declivity of loose gravel which gives way at every
step—is most fatiguing. As I was struggling slowly up it with the
guides, we heard the furious barking of dogs away up the mountains on
the opposite side of the glen. The barking came nearer and nearer, and
being echoed by the cliffs had a weird impressive sound that suited well
with the scene, as if hell-hounds were baying at the strangers who dared
to approach the infernal water. However, the dogs came no nearer than
the foot of the slope up which we were clambering, and some shouts and
volleys of stones served to keep them at bay.
Public-domain text, read in full here on John Shaqi.
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