Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
But his religious bias by no means so warped the mind of Pausanias as to
render him indifferent to the historic ground which he trod, and to
those monuments of great men and memorable events on which his eye must
have fallen at almost every turn. As a scholar he was versed in, and as
a patriot he was proud of, the memories which these monuments were
destined to perpetuate, and which in the genius of the Greek people have
found a monument more lasting than any of bronze or marble. He visited
the battlefields of Marathon and Plataea and beheld the trophies of
victory and the graves of the victors. At Salamis he saw the trophy of
the great sea-fight, but he mentions no graves. Doubtless the bones of
many victors and vanquished lay together fathoms deep in the bay. At
Chaeronea he saw a sadder monument, the colossal stone lion on the grave
of the Thebans who had fallen in the cause of freedom. On the
battlefield of Mantinea he found the grave of Epaminondas, at Sparta the
grave of Leonidas, and among the pine-woods of the sacred isle that
looks across the blue Saronic gulf to Attica the grave of the banished
Demosthenes. At Thebes he saw the ruins of Pindar’s house, the shields
of the Lacedaemonian officers who fell at Leuctra, and the figures of
white marble which Thrasybulus and his comrades in exile and in arms had
dedicated out of gratitude for Theban hospitality. In the Grove of the
Muses on Helicon he beheld the statues of renowned poets and
musicians—Hesiod with his lute, Arion on his dolphin, blind Thamyris,
Orpheus holding the beasts spellbound as he sang. At Tanagra he observed
the portrait and the tomb of the poetess Corinna, the rival of Pindar;
and in several cities of Arcadia he remarked portraits of the Arcadian
historian Polybius.
Public-domain text, read in full here on John Shaqi.
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