Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
At Athens among the portraits of famous men that attracted his attention
were statues of the statesmen Solon, Pericles, and Lycurgus, the
generals Conon, Timotheus, and Iphicrates, the orators Demosthenes and
Isocrates, the philosopher Chrysippus, and the poets Aeschylus,
Sophocles, Euripides, and Menander. In the Prytaneum were preserved
copies of the laws of Solon. The colonnades that flanked the
market-place were adorned with pictures of the battles of Marathon,
Oenoe, and Mantinea, and in one of them—the celebrated Painted
Colonnade—our author observed bronze shields, smeared with pitch to
preserve them from rust, which had been taken from the Spartans at
Sphacteria. On the Acropolis stood, as a trophy of the Persian wars, the
immense bronze statue of Athena, of which the blade of the spear and the
crest of the helmet could be seen far off at sea. Close at hand in the
Erechtheum the traveller was shown the sword of Mardonius and the
corselet of Masistius, who had fallen while leading the Persian cavalry
to the charge at Plataea. In Piraeus he saw the sanctuary of Aphrodite
which Conon had built after vanquishing the Lacedaemonian fleet off
Cnidus, and at the entrance to the great harbour, in view of the ships
sailing out and in, the grave of Themistocles who had won for Athens the
empire of the sea. But no place in Greece was richer in monuments of the
historic past, none seems to have stirred Pausanias more deeply than
that memorable spot outside the walls of Athens where, within the narrow
compass of a single graveyard, were gathered the mortal remains of so
much valour and genius. Here lay not a few of the illustrious men who by
their counsels, their swords, or their pens had made Athens great and
famous, and hither the ashes of humbler citizens, who had died for their
country, were brought from distant battlefields to rest in Attic earth.
His description of this the national burying-ground of Athens has not,
indeed, the pensive grace of Addison’s essay on the tombs in the Abbey.
It is little more than a bare list of the names he read on the
monuments, but there almost every name was a history as full of proud or
mournful memories as the names carved on the tombs in Westminster and
St. Paul’s or stitched on the tattered and blackened banners that droop
from the walls of our churches. The annals of Athens were written on
these stones—the story of her restless and aspiring activity, her
triumphs in art, in eloquence, in arms, her brief noon of glory, and her
long twilight of decrepitude and decay. No wonder that our traveller
paused amid monuments which seemed, in the gathering night of barbarism,
to catch and reflect some beams of the bright day that was over, like
the purple light that lingers on the slopes of Hymettus when the sun has
set on Athens.
[Sidenote: His digressions
on
natural
curiosities.]
Public-domain text, read in full here on John Shaqi.
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