Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,' — John Shaqi
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'Frazer, James George
History
Studies in Greek Scenery, Legend and History: Selected from His Commentary on Pausanias' 'Description of Greece,'
Frazer, James George
Greece -- Antiquities; Greece -- Description and travel
It was in this mellow autumn—perhaps rather the Indian summer—of the
ancient world, when the last gleanings of the Greek genius were being
gathered in, that Pausanias, a contemporary of Hadrian, of the
Antonines, and of Lucian, wrote his description of Greece. He came in
time, but just in time. He was able to describe the stately buildings
with which in his own lifetime Hadrian had embellished Greece, and the
hardly less splendid edifices which, even while he wrote, another
munificent patron of art, Herodes Atticus, was rearing at some of the
great centres of Greek life and religion. Yet under all this brave show
the decline had set in. About a century earlier the emperor Nero, in the
speech in which he announced at Corinth the liberation of Greece,
lamented that it had not been given him to confer the boon in other and
happier days when there would have been more people to profit by it.
Some years after this imperial utterance Plutarch declared that the
world in general and Greece especially was depopulated by the civil
brawls and wars; the whole country, he said, could now hardly put three
thousand infantry in the field, the number that formerly Megara alone
had sent to face the Persians at Plataea; and in the daytime a solitary
shepherd feeding his flock was the only human being to be met with on
what had been the site of one of the most renowned oracles in Boeotia.
Dio Chrysostom tells us that in his time the greater part of the city of
Thebes lay deserted, and that only a single statue stood erect among the
ruins of the ancient market-place. The same picturesque writer has
sketched for us a provincial town of Euboea, where most of the space
within the walls was in pasture or rig and furrow, where the gymnasium
was a fruitful field in which the images of Hercules and the rest rose
here and there above the waving corn, and where sheep grazed peacefully
about the public offices in the grass-grown market-place. In one of his
_Dialogues of the Dead_, Lucian represents the soul of a rich man
bitterly reproaching himself for his rashness in having dared to cross
Cithaeron with only a couple of men-servants, for he had been set upon
and murdered by robbers on the highway at the point where the grey ruins
of Eleutherae still look down on the pass; in the time of Lucian the
district, laid waste, he tells us, by the old wars, seems to have been
even more lonely and deserted than it is now. Of this state of things
Pausanias himself is our best witness. Again and again he notices
shrunken or ruined cities, deserted villages, roofless temples, shrines
without images and pedestals without statues, faint vestiges of places
that once had a name and played a part in history. To the site of one
famous city he came and found it a vineyard. In one neglected fane he
saw a great ivy-tree clinging to the ruined walls and rending the stones
asunder. In others nothing but the tall columns standing up against the
sky marked the site of a temple.
Public-domain text, read in full here on John Shaqi.
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