To be sure, some of these copyists were curious folk. Their mind as well as that of the world around them must have been of a peculiar constitution hardly conceivable to us. Take, for example, Benjamin, the copyist of a certain Machzor in the Museum (Add. 11,639). This Machzor was written in times of bitter persecution. The copyist, who was himself a learned man, alludes in one place to the sufferings which the Jews in a certain French town had to undergo in the year 1276. On one of them, the martyr R. Samson, Benjamin the copyist composed a lamentation written in a most mournful strain. But this lamentation is followed by a wine‐song, one of the jolliest and wildest parodies for the feast of Purim. Speaking of this Machzor I should like to remark that it forms one of the greatest ornaments of the Museum. Besides including the whole of the Pentateuch, the above‐mentioned Tarshish by R. Moses Ibn Ezra, and many other smaller literary pieces which would require a small volume to describe them properly, this MS. is most richly illuminated, and contains very many illustrations. The subjects of these illustrations are biblical, sometimes also apocryphal, such as—Adam and Eve in Paradise, Noah in the Ark, Abraham meeting the angels, Sarah behind the door listening to the conversation of her husband with his guests, Moses with the rod in his hands dividing the Red Sea, Samson riding on the back of a lion, Solomon on his throne, Daniel in the lion’s den, the king Ahasuerus holding out the golden sceptre to Esther, Judith addressing Holofernes, the Leviathan, the mythical bird Bar Yochni, and many other similar subjects. In passing I recommend these illustrations and illuminations to the attention of the artist as the most worthy examples of Jewish ecclesiastical art,—if there is such a thing as a special Jewish art. The artist will find the Museum best suited for this purpose, its collection being considered as the richest of the kind. Besides this Machzor I must also allude to the illuminated Bible (Or. 2226‐28) written in Lisbon for R. Judah Alchakin—it is said to be one of the finest specimens of such works—and the illuminated Mishneh Torah of Maimonides, executed for R. Joseph of the famous Yachya family, also thought to be most artistically done. The liturgies for the Passover Eve service will also offer to the artist a rich harvest, especially Codex, Add. 27,210, which the wealthy Lady Rosa Galico presented to her son‐in‐law on his wedding‐day, and Codex, Add. 14,762, even the binding of which is considered as an artistic curiosity.