Studies in the Poetry of Italy, Part I. RomanMiller, Frank Justus
Philosophy
Studies in the Poetry of Italy, Part I. Roman
Miller, Frank Justus
Latin poetry -- History and criticism
Still from that day, for centuries to come, the Romans had sterner
business than the cultivation of the arts of peace. They had themselves
and Italy to conquer; they had a still unshaped state to establish; they
had their ambitions, growing as their power increased, to gratify; they
had jealous neighbors in Greece, Africa, and Gaul to curb. In such
rough, troubled soil as this, literature could not take root and
flourish. They were not, it is true, without the beginnings of native
literature. Their religious worship inspired rude hymns to their gods;
their generals, coming home, inscribed the records of their victory in
rough Saturnian verse on commemorative tablets; there were ballads at
banquets, and dirges at funerals. Also the natural mimicry of the
Italian peasantry had no doubt for ages indulged itself in uncouth
performances of a dramatic nature, which developed later into those
mimes and farces, the forerunners of native Roman comedy and the old
Medley-Satura. Yet in these centuries Rome knew no letters worthy of the
name save the laws on which she built her state; no arts save the arts
of war.
But in her course of Italian conquest, she had finally come into
conflict with those Greek colonists who had long since been taking
peaceful possession of Italy along the southeastern border. These
Græco-Roman struggles in Italy, which arose in consequence, culminated
in the fall of Tarentum, B. C. 272; and with this victory the conquest
of the Italian peninsula was complete.
This event meant much for the development of Italian literature; it
meant new impulse and opportunity--the impulse of close and quickening
contact with Greek thought, and the opportunity afforded by the internal
calm consequent upon the completed subjugation of Italy. Joined with
these two influences was a third which came with the end of the first
Punic War, a generation afterward. Rome has now taken her first fateful
step toward world empire; she has leaped across Sicily and set
victorious foot in Africa; has successfully met her first great foreign
enemy. The national pride and exaltation consequent upon this triumph
gave favorable atmosphere and encouragement for those impulses which had
already been stirred.
Public-domain text, read in full here on John Shaqi.
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