Dante's character reveals itself in all its phases in his works. His youth as represented in the New Life was a happy one, filled with ardor for study, with affection for friends, and with the ecstasy of a pure and virtuous love. He needed, however, the death of Beatrice, the long years of exile, and the disappointment of all his hopes to develop that strong and noble character which the world admires almost as much as his poetry. He was an enthusiastic student, yet mingled with the affairs of men; never willingly doing wrong himself, he was unyielding in what he conceived to be right, and consecrated his consummate powers to the cause of the noble and the good. His own conscience was clear, and under this "breastplate," as he calls it, he went steadily on his way. He was proud of his learning, strong in his opinions, and does not hesitate to constitute himself the stern judge of all his contemporaries; this in a lesser man would have seemed presumptuous; in Dante it was only the prosecution of a solemn and, as he thought, a Godgiven duty. Yet, in spite of this sternness his heart was soft and tender. Like Tennyson's poet, Dante was "dowered with love of love," as well as "hate of hate and scorn of scorn." Those who read only the Inferno, may get the impression of a savage, revengeful spirit, but the Purgatory and Paradise are full of tenderest poetry of sublimest imagination, and show their author to have had a heart full of love and gentleness, sweetness and light. A deep melancholy weighed over the whole later life of Dante; his heart never ceased to long for home and friends, yet this melancholy is not pessimism; he never lost his confidence in God, never doubted right would win. It is this inspiring combination of noble qualities in Dante's character, reflected in every page of the Divine Comedy, which makes the study of the latter not merely an æsthetic pleasure, but a spiritual exercise, ennobling and uplifting the minds of those who read it with the "spirit and with the understanding also."