Studies in the Poetry of Italy, Part II. Italian — John Shaqi
Studies in the Poetry of Italy, Part II. ItalianKuhns, Oscar
History
Studies in the Poetry of Italy, Part II. Italian
Kuhns, Oscar
Italian poetry -- History and criticism
great an aspect of humility that she seemed to say: 'I have gone to
behold the beginning of peace.' And then I seemed to have returned to my
own room, and there I looked toward heaven and began to cry out in
tears: 'O, soul most beautiful, how blessed is he who beholds thee.' And
as I said these words with sobs and tears, and called on death to come
to me, a young and gentle lady who was at my bedside, thinking that my
tears and cries were for grief on account of my infirmity began also to
weep in great fear. Whereupon other ladies who were in the room, noticed
that I wept, and leading away from my bedside her who was joined to me
by close ties of blood,[5] they came to me to wake me from my dream,
and saying: 'Weep no more,' and again: 'Be not so discomforted.' And as
they thus spoke, my strong fancy ceased, and just as I was about to say:
'O, Beatrice, blessed art thou,' and I had already said, 'O, Beatrice--'
giving a start I opened my eyes and saw that I had been dreaming."
The presentiment of Dante in the above exquisite passage came true.
Beatrice, too fair and good for earth, was called by God to Himself. One
day the poet sat down to write a poem in praise of her and had finished
one stanza when the news came that Beatrice was dead. At first he seemed
too benumbed even for tears, and after a quotation from Jeremiah--
"How doth the city sit solitary that was full of people! How is
she become a widow, she that was great among the nations!"--
at the beginning of the next paragraph, he gives a fantastic discussion
of the symbolical figure nine and its connection with the life and death
of Beatrice. Then the tears began to flow, and unutterable sadness took
possession of his heart. A whole year after he tells us how one day he
sat thinking of her and drawing the picture of an angel, a picture,
alas! which was never finished, as he was interrupted by visitors.[6] At
another time he tells how one day he saw a number of pilgrims passing
through Florence on their way to Rome, and to them he addressed one of
his most beautiful sonnets:
Oh, pilgrims who move on with steps so slow,
Musing perchance of friends now far away;
So distant is your native land, oh say!
As by your actions ye do seem to show?
For lo! you weep and mourn not when you go,
Through these our city streets, so sad to-day;
Nor unto us your meed of pity pay,
Bowed as we are 'neath heavy weight of woe.
If while I speak you will but wait and hear,--
Surely,--my heart in sighing whispers me,--
That then you shall go on with sorrow deep.
Florence has lost its Beatrice dear;
And words that tell what she was wont to be,
Are potent to make all that hear them weep.
Public-domain text, read in full here on John Shaqi.
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