Studies in the Psychology of Sex, Volume 3: Analysis of the Sexual Impulse; Love and Pain; The Sexual Impulse in WomenEllis, Havelock
Science
Studies in the Psychology of Sex, Volume 3: Analysis of the Sexual Impulse; Love and Pain; The Sexual Impulse in Women
Ellis, Havelock
Sex; Sex (Psychology)
"I made no violent friendships with the other girls, but I became
much attached to the French governess. She was 30, and a born
teacher, very strict with all of us, and doubly so with me for
fear of showing favoritism. But she was never unjust, and I was
rather proud of her severity and took a certain pleasure in being
punished by her, the punishment always taking the form of
learning by heart, which I rather liked doing. So I had my
thrill, excitement, I don't quite know what to call it, without
any very great inconvenience to myself. Just before we left
school the sexual instinct began to show itself in enthusiasm for
art with a capital A, Ouida's novels being mainly responsible. My
sister and I agreed that we would spend our lives traveling about
France, Italy, and the Continent, generally _à la Tricotrin_,
with a violin in one pocket and an Atravante Dante in the other.
To do this satisfactorily to ourselves we must be artists, and I
resolved to go in for music and become a second Liszt. When my
father offered to take us to Italy, the artist's Mecca, for a
couple of years, we were wild with delight. We went, and
disillusionment began. It may perhaps seem absurd, but we
suffered acutely that first summer. Our villa was quite on the
beach, the lowest of its flight of steps being washed by the
Mediterranean. At the back were grounds which seemed a paradise.
Long alleys covered over with vines and carpeted with long grass
and poppies, grassy slopes dotted with olives and ilex, roses
everywhere, and almost every flower in profusion, with, at night,
the fireflies and the heavy scents of syringa and orange
blossoms. In the midst of every possible excitement to the senses
there was one thing wanting, and we did not know what that was.
"We attributed our restlessness and dissatisfaction to the slow
progress in our artistic education, and consoled ourselves by
thinking when once we had mastered the technical difficulties we
should feel all right. And of course we did derive a very real
pleasure from all the beauties of art and nature with which Italy
abounds.
Public-domain text, read in full here on John Shaqi.
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