When we hear precisely of Ninon de Lenclos in connection with money, it is not as receiving a gift, but only as repaying a debt to an old lover, or restoring a large sum left with her for safe keeping when the owner was exiled. Such incidents are far from suggesting the professional prostitute of any age; they are rather the relationships which might exist between men friends. Ninon de Lenclos's character was in many respects far from perfect, but she combined many masculine virtues, and especially probity, with a temperament which, on the whole, was certainly feminine; she hated hypocrisy, and she was never influenced by pecuniary considerations. She was, moreover, never reckless, but always retained a certain self-restraint and temperance, even in eating and drinking, and, we are told, she never drank wine. She was, as Sainte-Beuve has remarked, the first to realize that there must be the same virtues for men and for women, and that it is absurd to reduce all feminine virtues to one. "Our sex has been burdened with all the frivolities," she wrote, "and men have reserved to themselves the essential qualities: I have made myself a man." She sometimes dressed as a man when riding (see, e.g., _Correspondence Authentique_ of Ninon de Lenclos, with a good introduction by Emile Colombey). Consciously or not, she represented a new feminine idea at a period when--as we may see in many forgotten novels written by the women of that time--ideas were beginning to emerge in the feminine sphere. She was the first, and doubtless, from one point of view, the most extreme representative of a small and distinguished group of French women among whom Georges Sand is the finest personality.