Returning to England, there are the Shakespeare folio editions of 1632 and 1685; the first of his printed “Poems” and the “Rape of Lucrece;” an early quarto of “Othello;” the first edition of Ben Jonson, 1616, in which Shakespeare’s name appears in the cast for a play; and letters from the Earl of Southampton, Shakespeare’s friend, and Sir Walter Raleigh, Francis Bacon, and Essex. There is also a letter written by Oliver Cromwell while he was engaged in the conquest of Ireland. The relics, documents, and letters illustrating our civil war are constantly being added to. There are many old engravings, caricatures, and broadsides. Of oil-portraits there are three originals of Washington, one by Stuart, one by Peale, one by Polk, and I think I remember one or two miniatures. There is also a portrait in oil of Shakespeare which may become important. The original canvas has been remounted, and there are indubitable signs of its age, although the picture can be traced back only about one hundred and fifty years. The Owner hopes to be able to prove that it is a contemporary work. The interesting fact about it is that whilc it is not remarkable as a work of art, it is recognizable at once as a likeness of what we suppose from other portraits and the busts to be the face and head of Shakespeare, and yet it is different from all other pictures w know, so that it does not suggest itself as a copy. The most important of Mr. Gunther’s collection is an autograph of Shakespeare; if it prove to be genuine, it will be one of the four in the world, and a great possession for America. This autograph is pasted on the fly-leaf of a folio of 1632, which was the property of one John Ward. In 1839 there was published in London, from manuscripts in possession of the Medical Society, extracts from the diary of John Ward (1648-1679), who was vicar and doctor at Stratford-on-Avon. It is to this diary that we owe certain facts theretofore unknown about Shakespeare. The editor, Mr. Stevens, had this volume in his hands while he was compiling his book, and refers to it in his preface. He supposed it to have belonged to the John Ward, vicar, who kept the diary. It turns out, however, to have been the property of John Ward the actor, who was in Stratford in 1740, was an enthusiast in the revival of Shakespeare, and played Hamlet there in order to raise money to repair the bust of the poet in the church. This folio has the appearance of being much used. On the fly-leaf is writing by Ward and his signature; there are marginal notes and directions in his hand, and several of the pages from which parts were torn off have been repaired by manuscript text neatly joined.