Studies in the South and West, with Comments on CanadaWarner, Charles Dudley
History
Studies in the South and West, with Comments on Canada
Warner, Charles Dudley
Canada -- Description and travel; United States -- Description and travel
The Shakespeare signature is pasted on the leaf above Ward’s name. The
paper on which it is written is unlike that of the book in texture. The
slip was pasted on when the leaf was not as brown as it is now, as can
be seen at one end where it is lifted. The signature is written out
fairly and in full, William Shakspeare, like the one to the will, and
differs from the two others, which are hasty scrawls, as if the
writer were cramped for room, or finished off the last syllable with
a flourish, indifferent to the formation of the letters. I had the
opportunity to compare it with a careful tracing of the signature to
the will sent over by Mr. Hallowell-Phillips. At first sight the two
signatures appear to be identical; but on examination they are not;
there is just that difference in the strokes, spaces, and formation of
the letters that always appears in two signatures by the same hand.
One is not a copy of the other, and the one in the folio had to me the
unmistakable stamp of genuineness. The experts in handwriting and the
micro-scopists in this country who have examined ink and paper as to
antiquity, I understand, regard it as genuine.
There seems to be all along the line no reason to suspect forgery.
What more natural than that John Ward, the owner of the book, and a
Shakespeare enthusiast, should have enriched his beloved volume with an
autograph which he found somewhere in Stratford? And in 1740 there was
no craze or controversy about Shakespeare to make the forgery of his
autograph an object. And there is no suspicion that the book has been
doctored for a market. It never was sold for a price. It was found
in Utah, whither it had drifted from England in the possession of an
emigrant, and he readily gave it in exchange for a new and fresh edition
of Shakespeare’s works.
I have dwelt upon this collection at some length, first because of
its intrinsic value, second because of its importance to Chicago as a
nucleus for what (I hope in connection with the Newberry Library) will
become one of the most interesting museums in the country, and lastly as
an illustration of what a Western business man may do with his money.
Public-domain text, read in full here on John Shaqi.
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