Studies in the South and West, with Comments on CanadaWarner, Charles Dudley
History
Studies in the South and West, with Comments on Canada
Warner, Charles Dudley
Canada -- Description and travel; United States -- Description and travel
This Northern picture is a veritable nineteenth-century spectacle. Side
by side with it was the other society, also covering a vast domain, that
was in many respects a projection of the eighteenth century into the
nineteenth. It had much of the conservatism, and preserved something
of the manners, of the eighteenth century, and lacked a good deal the
so-called spirit of the age of the nineteenth, together with its doubts,
its isms, its delusions, its energies. Life in the South is still on
simpler terms than in the North, and society is not so complex. I am
inclined to think it is a little more natural, more sincere in manner
though not in fact, more frank and impulsive. One would hesitate to use
the word unworldly with regard to it, but it may be less calculating. A
bungling male observer would be certain to get himself into trouble by
expressing an opinion about women in any part of the world; but women
make society, and to discuss society at all is to discuss them. It is
probably true that the education of women at the South, taken at
large, is more superficial than at the North, lacking in purpose, in
discipline, in intellectual vigor. The aim of the old civilization was
to develop the graces of life, to make women attractive, charming, good
talkers (but not too learned), graceful, and entertaining companions.
When the main object is to charm and please, society is certain to be
agreeable. In Southern society beauty, physical beauty, was and is much
thought of, much talked of. The “belle” was an institution, and is yet.
The belle of one city or village had a wide reputation, and trains
of admirers wherever she went—in short, a veritable career, and was
probably better known than a poetess at the North. She not only ruled
in her day, but she left a memory which became a romance to the next
generation. There went along with such careers a certain lightness and
gayety of life, and now and again a good deal of pathos and tragedy.
Public-domain text, read in full here on John Shaqi.
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