In this instinct of companionship there is involved a vague inarticulate sympathy. Just as the attached dog may be said to have in a dim fashion a feeling of oneness with its master, so the child. The intenser realisation of this oneness comes in the case of the dog and of the child alike after separation. The wild caressing leaps of the quadruped are matched by the warm embracings of the little biped. Only that here, too, we see in the child traces of a deeper human consciousness. A girl of thirteen months was separated from her mother during six weeks. On the mother’s return she was speechless, and for some time could not bear to leave her restored companion for a minute. The little girl M. when nearly seventeen months old received her father after only five days’ absence with special marks of tenderness, rushing up to him, smoothing and stroking his face and giving him all the toys in the room. This sense of joining on one’s existence to another’s is not sympathy in its highest form, that is, a conscious realisation of another’s feelings, but it is a kind of sympathy after all, and may grow into something better. This we may see in the return of the childish heart to its resting place after the estrangement introduced by ‘naughtiness’. The relenting after passion, the reconciliation after punishment, are these not the experiences which help to raise the dumb animal sympathy of the first months into a true human sense of fellowship? But this part of the development of sympathy belongs to another chapter. Sympathy, it has been said, is a kind of imitation, and this is strikingly illustrated in its early forms. A dog will howl piteously in response to another dog’s howl: similarly a child of nine and a half months has been known to cry violently when his mother or father pretended to cry. One curious manifestation of this early imitative sympathy is the impulse to do what the mother does and to be what she is. Much of early imitative play shows this tendency. It is more than a cold distant copying of another’s doings: it is full of the warmth of attachment, and it is entered on as a way of getting nearer to the object of attachment. Out of this, too, there springs the germ of a higher sympathy. It will be remembered that Laura Bridgman bound the eyes of her doll with a bandage similar to the one she herself wore. Through this sharing in her own experience the doll became more a part of herself. Conversely, a child, on finding that her mother’s head ached, began imitatively to make-believe that her own head was hurt. Sympathy rests on community of experience, and it is a curious fact that a child, before he can fully sympathise with another’s trouble and make it his own by the sympathetic process itself, should thus try by a kind of childish acting to realise this community of experience.