One of the simplest and most obvious of these contrivances is the
extempore invention of an excuse for not instantly obeying a particular
command. A child soon finds out that to say ‘I won’t’ when he is bidden
to do something is indiscreet as well as vulgar. He wants to have his
own way without resorting to a gross breach of good manners, so he
replies insinuatingly, ‘I’s very sorry, but I’s too busy,’ or in some
such conciliatory words. This field of invention offers a fine
opportunity for the imaginative child. A small boy of three years and
nine months on receiving from his nurse the familiar order, “Come here!”
at once replied, “I can’t, nurse, I’s looking for a flea,” and pretended
to be much engrossed in the momentous business of hunting for this
quarry in the blanket of his cot.[193] The little trickster is such a
lover of fun that he is pretty certain to betray his ruse in a case like
this, and our small flea-catcher, we are told, laughed mischievously as
he proffered his excuse. Such sly fabrications may be just as naughty as
the uninspired excuses of a stupidly sulky child, but it is hard to be
quite as much put out by them.
-----
Footnote 193:
_Cf._ the excuse given by a little girl of three when her grandmother
called her, “I can’t come, I am suckling baby” (the doll). P.
Lombroso, _op. cit._, p. 126.
-----
These excuses often show a fine range of inventive activity. How
manifold, for example, are the reasons, more or less fictitious, which a
boy when told to make less noise is able to urge in favour of
non-compliance. Here, of course, all the great matters of the
play-world, the need of getting his ‘gee-gee’ on, of giving his orders
to his soldiers, and so forth, come in between the prohibition and
compliance, and disobedience in such cases has its excuses. For to the
child his play-world, even though in a manner modelled on the pattern of
our common world, is apart and sacred; and the conventional restraints
as to noise and such like borrowed from the every-day world seem to him
to be quite out of place in this free and private domain of his own.
Public-domain text, read in full here on John Shaqi.
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