English poetry -- 20th century -- History and criticism
Names may be writ; and mounds rise;
Purporting, Here be bones:
But empty is that churchyard
Of all save stones.
Owl and Newt and Nightjar,
Leveret, Bat and Mole
Haunt and call in the twilight,
Where she slept, poor soul.
But in its subtler forms the supernatural element of this poetry is more
complex and more potent. And it would seem to have a definite relation
to the poet's philosophy. Not that it is possible to trace an outline of
systematic thought in work like this, where every constituent is milled
and sifted to exquisite fineness and fused to perfect unity. But if we
follow up a hint here and there, and correlate them with the author's
prose fiction, we shall not be able to escape the suggestion of a
mystical basis to the elusive witchery of so many of his poems. We shall
see it to be rooted in an extreme sensitiveness to what are called
'psychic' influences: a sensitiveness through which he becomes, at one
end of the scale, acutely aware of the presence of a surrounding spirit
world; and at the other, deeply sympathetic and tender to subhuman
creatures.
No crude claim is made on behalf of any mystical creed; and still less
would one violate the fragile and mysterious charm of a poem like "The
Listeners" by so-called interpretation. But placed beside "The Witch,"
it is clearly seen to treat the supernatural on a higher plane: it is,
indeed, a piece of rare and delicate symbolism. There is no recourse to
the ready appeal of the grotesque and the marvellous; and although we
find here all the 'machinery' of a sensational poem in the older
romantic manner--the great empty house standing lonely in the forest,
moonlight and silence, and a traveller knocking unheeded at the door--it
is a very subtle blending of those elements which has gone to produce
the peculiar effect of this piece. Twice the traveller knocks, crying:
"Is there anybody there?" but no answer comes:
... only a host of phantom listeners
That dwelt in the lone house then
Stood listening in the quiet of the moonlight
To that voice from the world of men:
Stood thronging the faint moonbeams on the dark stair,
That goes down to the empty hall,
Hearkening in an air stirred and shaken
By the lonely Traveller's call.
And he felt in his heart their strangeness,
Their stillness answering his cry,
While his horse moved, cropping the dark turf,
'Neath the starred and leafy sky;
For he suddenly smote on the door, even
Louder, and lifted his head:--
'Tell them I came, and no one answered,
That I kept my word,' he said.
Public-domain text, read in full here on John Shaqi.
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