English poetry -- 20th century -- History and criticism
Wondering, listening,
Listening, wondering,
Eve with a berry
Half-way to her lips.
Moreover, the poet does not in the least mind winging his fancy in a
homely phrase. He is not afraid of an idiomatic touch, nor of pithy,
vigorous words. His conception is vivid enough to bear rigorous
treatment; and in the same poem, "Eve," the serpent is found plotting
the fall of humanity in these terms:
Now to get even and
Humble proud heaven and
Now was the moment or
Never at all.
And when his wiles have been successful, Eve's feathered comrades,
Titmouse and Jenny Wren, make an indignant 'clatter':
How the birds rated him,
How they all hated him!
How they all pitied
Poor motherless Eve!
That is the nearest approach to fantasy which will be found in this
poetry. There is nothing subtle or whimsical here: no half-lights or
neutral tones or hints of meaning. This genius cannot fulfil itself in
an 'airy nothing.' The imaginative power is too firmly controlled by a
sense of fact to admit the bizarre and incredible; yet there can be no
doubt of its creative force when one turns for a moment to either of the
prize poems, and particularly to "The Bull." It would be hard to name a
finer specimen of verse in which imagination, high and sustained, is
seen to be operating through a purely sensuous medium. That is to say,
moving in a region of fact, accurately observing and recording the
phenomena of a real world, there is yet achieved an imaginative creation
of great power--a bit of all-but-perfect art. Quotation will not serve
to illustrate this, since the poem is an organic whole and a principal
element of its perfection is its unity. One could, however, demonstrate
over again from almost any line the poet's instinct for reality: as for
example in the truth, quiet but unflinching, of his presentment of the
cruelty inherent in his theme. The passages are almost too painful taken
out of their context; and there may be some for whom they will rob the
poem of complete beauty. But the same instinct may be observed
visualizing, in strong light and rich colour and incisive movement, the
teeming tropical world in which the old bull stands, sick, unkinged and
left to die.
Cranes and gaudy parrots go
Up and down the burning sky;
Tree-top cats purr drowsily
In the dim-day green below;
And troops of monkeys, nutting, some,
All disputing, go and come;
.....
And a dotted serpent curled
Round and round and round a tree,
Yellowing its greenery,
Keeps a watch on all the world,
All the world and this old bull
In the forest beautiful.
Public-domain text, read in full here on John Shaqi.
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