Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
proved to the states of Hellas that their independence was at an end.
They submitted. Greece became the passive spectator of the deeds of
Macedonia. Hellas, who had been the hero, was now the chorus. It was
Alexander of Macedon who played the part of Achilles in her future
drama.
One man vindicated the spirit of Greek freedom against this despotism.
The genius of Athens, militant once more, but destined not to triumph,
incarnates itself in Demosthenes. By dint of eloquence and weight of
character he strives to stem the tide of dissolution. But it is in
vain. His orations remain as the monuments of a valiant but ineffectual
resistance. The old intelligence of Athens shines, nay, fulminates, in
these tremendous periods; but it is no longer intelligence combined
with power. The sceptre of empire has passed from the hands of the
Athenians.
Still, though the states of Greece are humiliated, though we hear no
more of Ionians and Dorians, but only of Macedonians, yet the real
force of the Greek race is by no means exhausted in this fourth period.
On the contrary, their practical work in the world is just beginning.
Under the guidance of Alexander, the Greek spirit conquers and attempts
to civilize the East. The parallel between Alexander and Achilles,
as before hinted, is more than accidental. Trained in the study of
Homer as we are in the study of the Bible, he compared his destinies
with those of the great hero, and formed himself upon the type of
Pelides. At Troy he pays peculiar reverence to the tomb of Patroclus.
He celebrates Hephæstion's death with Homeric games and pyres up-piled
to heaven. He carries Homer with him on war-marches, and consults the
_Iliad_ on occasions of doubt. Alexander's purpose was to fight out
to the end the fight begun by Achilles between West and East, and
to avenge Greece for the injuries of Asia. But it was not a merely
military conquest which he executed. Battles were the means to higher
ends. Alexander sought to subject the world to the Greek spirit, to
stamp the customs, the thoughts, the language, and the culture of the
Greeks upon surrounding nations. Poets and philosophers accompanied
his armies. In the deserts of Bactria and Syria and Libya he founded
Greek cities. During the few years of his short life he not only swept
those continents, but he effaced the past and inaugurated a new state
of things throughout them; so that, in subsequent years, when the
Romans, themselves refined by contact with the Greeks, advanced to
take possession of those territories, they found their work half done.
The alchemizing touch of the Greek genius had transformed languages,
cities, constitutions, customs, nay, religions also, to its own
likeness. This fourth period, a period of transition from maturity to
decay, is the period of Alexander. In it the Greek spirit, which had
been gathering strength through so many generations, poured itself
abroad over the world. What it lost in intensity and splendor, it
gained in extension.
Public-domain text, read in full here on John Shaqi.
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