Studies of the Greek Poets (Vol 1 of 2)Symonds, John Addington
History
Studies of the Greek Poets (Vol 1 of 2)
Symonds, John Addington
Greek poetry -- History and criticism
The only true poets of this period are the Sicilian idyllists. Over
the waning day of Greek poetry Theocritus, Bion, and Moschus cast the
sunset hues of their excessive beauty. Genuine and exquisite is their
inspiration; pure, sincere, and true is their execution. Yet we agree
with Shelley, who compares their perfume to "the odor of the tuberose,
which overcomes and sickens the spirit with excess of sweetness." In
the same way the erotic epigrammatists, though many of them genuine
poets, especially the exquisite Meleager of Gadara, in the very
perfection of their peculiar quality of genius offer an unmistakable
sign of decay. It is the fashion among a certain class of modern
critics to extol the art of decadence, to praise the hectic hues of
consumption, and even the dull livors of corruption, above the roses
and the lilies of health. Let them peruse the epigrams of Meleager and
of Straton. Of beauty in decay sufficient splendors may be found there.
While Alexandria was thus carrying the poetic tradition of Hellas to
its extremity in the idyl and the epigram--carving cherrystones after
the sculptor's mallet had been laid aside--and was continuing the
criticism which had been set on foot by Aristotle, Athens persisted in
her function of educating Europe. She remained a sort of university, in
which the doctrines of Plato and Aristotle were adequately developed,
though not in the most comprehensive spirit, by a crowd of peripatetic
and academic sages, and where the founders of the Epicurean and Stoic
schools gave a new direction to thought. It was during the first vigor
of the Epicurean and Stoic teaching that the spirit of Hellas came
into contact with the spirit of Rome. Hence Lucretius, Cicero, the
satirists--whatever, in fact, Rome may boast of philosophy, retains the
tincture of the ethics of her schoolmasters. Rome, as Virgil proudly
said, was called to govern--not to write poems or carve statues, but
to quell the proud and spare the abject. Still she caught, to some
extent, the æsthetic manners of her captive. Consequently, long after
the complete political ascendency of Rome was an established fact,
and geographical Greece had become an insignificant province, the
Hellenic spirit led the world. And some of its latest products are
still dazzling in beauty, marvellous in ingenuity, Titanic in force. A
few names selected from the list of Græco-Roman authors will be more
impressive than much description. Plutarch of Chæronea, in the first
century, the author of the great biographies; Lucian, the Syrian, in
the second century, the master of irony and graceful dialogue and
delicate description; Epictetus, the Phrygian slave, in the second
century, who taught the latest form of Stoicism to the Romans, and
had for his successor Marcus Aurelius; Philostratus of Lemnos, the
rhetorician and author of the life of Apollonius; Plotinus, Porphyrius,
and Proclus, the revivers of Platonic philosophy under a new form
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